https://johannajaeger.de Johanna Jaeger Thu, 25 Oct 2018 11:24:53 +0000 https://johannajaeger.de en https://johannajaeger.de/news Tue, 18 Sep 2018 13:09:38 +0000 Johanna Jaeger https://johannajaeger.de/news 12liquid_liquid/liquid_solid solo show at KunstraumKunzeHindenburgstraße 838518 Gifhorn opening: February 28, 2025, 3-6pm duration: February 29, 2025 - April 15, 2026 https://kunststiftungkunze.com/ MUNICH HIGHLIGHTS with Drawing Room Hamburg October 14 - October 19, 2025Booth C12Residenz München - Eingang Hofgarten Residenszstr. 1 80333 München https://www.drawingroom-hamburg.com/ https://munichhighlights.com paper positions berlin&nbsp;solo presentation with&nbsp;SCHWARZ CONTEMPORARYBooth #1Tempelhof airport - main hall Platz der Luftbrücke 5 12101 BerlinMay 1 - May 4, 2025 https://www.schwarz-contemporary.com/https://www.paperpositions.com/de/ liquid_liquid/liquid_solid solo show at SCHWARZ CONTEMPORARY c/o RIATorstr. 17010115 Berlin opening: March 6, 2025, 6-8pm duration: March 7, 2025 - March 29, 2025 https://www.schwarz-contemporary.com/exhibitions/current/johanna-jaeger-schwarz-contemporary-co-ria-torstrasse-170-10115-berlinThe exhibition is part of EMOP/European month of Photography Berlinhttps://emop-berlin.eu/ Liquid Landscapes group show atLOBEART im Lobe Block Böttgerstr. 16 13357 Berlin opening: February 12, 2025, 6-10pm duration: February 12 - February 21,&nbsp;2025, Tuesday -Sunday, 10-5pm with Marie Aly | Helene Appel | Mathias Deutsch | &nbsp;Guony Guomundsdottir | Almut Hilf | Johanna Jaeger | Sven Johne | Katharina Kiebacher | Paula Oltmann | Anke Völk | Martin Zellerhoff&nbsp;curated by Julia Wirxel Book Release of my first monographJohanna Jaeger - Developing Horizonwith interview partner Christin Müller&nbsp;http://christinmueller.com/14.5.2024, 19h Schwarz Contemporary Sanderstr. 28 12047 Berlinhttps://www.schwarz-contemporary.com/publications Gallery Weekend Berlinguest in the studio of&nbsp; Eloa Unique Lights, together with studio Jorinde Voigt, studio Jankowski, studio Olaf Heine &amp; Spielfeld Berlin Reinbeckstr. 13 12459 Berlin reception: April 27, 2024, 2-9pm https://eloa.co/ The Word Camera Means Room group show at Hunter College 205 Hudson Gallery 205 Hudson StreetNew York, NY 10013 opening: August 30, 2023, 6-8pm duration: August 30, 2023 - September 8, 2023 SHIFT solo show at Schwarz Contemporary BerlinSanderstr. 2812047 Berlin opening: February 23, 2023, 6-8pm duration: February 24, 2022 - April 15, 2023 https://www.schwarz-contemporary.com/exhibitions/past/johanna-jaeger-shift Sunset. Ein Hoch auf die sinkende Sonne group show at Kunsthalle Bremen Am Wall 20728195 Bremen 26.11.2022 - 2.04.2023 https://www.kunsthalle-bremen.de/de/view/exhibitions/exb-page/sunset POSITIONS BERLIN ART FAIR with Schwarz Contemporary and lokal_30 15.9. -18.9. 2022 Flughafen Tempelhof Hangar 5 - 6Tempelhofer Damm 4512101 BerlinU6: Paradestrasse https://positions.de/aussteller-194/id-73.html ENTER ART FAIR COPENHAGEN with Schwarz Contemporary 25.8. - 28.8.2022 Booth 39 Tunnelfabrikken Oceanvej 12150 Nordhavn Copenhagen https://www.enterartfair.com/ &nbsp; Au delà - lokal_30 in collaboration with Schwarz Contemporary group show at lokal_30Wilcza 29a/1200-544 Warsaw opening: May 6, 2022, 6-9pm duration: May 7, 2022 - June 18, 2022 http://lokal30.pl/ Au-delà - Schwarz Contemporary in collaboration with lokal_30group show at Schwarz Contemporary Sanderstr. 28 12047 Berlin opening: April 22, 2022, 6-8pm duration: April 23, 2022 - June 4, 2022 schwarz-contemporary.com/exhibitions/upcoming Eloa unique lights &amp; Johanna Jaeger Studio 4 Berlin, Krumme Straße 35-36, 10627 Berlin opening: February 25, 2022, 6-8pm duration: February 26, 2022 - April 9, 2022 www.studio4berlin.com clouds &amp; pebbles Solo Show at Drawing Room Hamburg November 26, 2021 - March 3, 2022 http://www.drawingroom-hamburg.com Part-time Faculty, Burg Giebichenstein, University of Art and Design Halle,&nbsp;April 2021 repeating accidents Solo Show at Schwarz Contemporary Berlin September 4, 2020 - October 17, 2020 the exhibition is part of EMOP (European Month of Photography Berlin) https://www.schwarz-contemporary.com/exhibitions/upcoming/johanna-jaeger-repeating-accidents https://www.emop-berlin.eu/de/ cloud passing through contribution for Salon Magazin # 13, by Salon Verlag Köln,&nbsp;April 2020 https://www.salon-verlag.de/book/salon-no-13/ February 2020 recipient of the Kunstfonds work grant (Stiftung Kunstfonds Arbeitsstipendium) https://www.kunstfonds.de/news/details/stiftung-kunstfonds-vergibt-stipendien/ Polyptyche Art Fair with Drawing Room Hamburg at Centre Photographique Marseille 94 rue de la République, 76 rue de la Joliette 13002 Marseille opening: August&nbsp;30, 2019, 6-9 pm hours: August&nbsp;31- September 1,2019, 2-8pm http://www.drawingroom-hamburg.com/ https://www.centrephotomarseille.fr/IMG/pdf/polyptyque-flyer-2.pdf undetermintants group show at Strahlensaal Charité Berlin (Virchowweg 20, 10117 Berlin) organized by Kleine Humboldt Galerie Berlin opening / duration: July 17, 2019, 2-9pm works by: A/A Armin Keplinger &amp; Andreas Greiner, Jonas Etter, Johanna Jaeger, Markus Wirthmann, Philip Topolovac, Ulrike Mohr, Anton Steenbock http://www.kleinehumboldtgalerie.de/events/undeterminants/ Artist Tour through my solo show camera commentary at Technische Sammlungen Dresden (Junghansstraße 1-3, 01277 Dresden) July 6, 2019 - 7.30 pm The exhibition is on view until July 21, 2019 https://museen-dresden.de/index.php?lang=de&amp;node=termine&amp;resartium=exhibitions&amp;tempus=half&amp;locus=all&amp;event=3612&amp;reference=3612_12201904120000 Lady’s Club A Room for One’s Own group show at Rockelmann &amp; Partner Berlin (Schönleinstr. 5, 10967 Berlin)opening: June 30, 2019, 4-6pm duration: July 1 - August 4, 2019, by appointment works by: Claire Ashley (Chicago), Helen Juliet Atkins (Albuquerque), Julia Colavita (Berlin), Staci Drangmeister (Albuquerque), Johanna Jaeger (Berlin), Elana Katz (Berlin), Kristiane Kegelmann (Berlin), Allyson Packer (Albuquerque), Bailey Romaine (Chicago), Megan Stroech (Brooklyn) and Jeffrey Teuton (Phoenix) https://www.rockelmann-partner.com/exhibitions/bln-jul-01-aug-04-ladys-club-a-room-for-ones-own camera commentary solo show&nbsp; at Technische Sammlungen Dresden Junghansstr.1-3 01277 Dresden opening: April 11, 2019, 7 pm duration: April 12, 2019 - July 7, 2019 Tue-Fr: 9am-5pm, Sat &amp; Sun: 10am to 6pm tsd.de/de/mm/sonderausstellungen/reader/title/johanna_jaeger Bed manners Daily Lazy and frontviews at Kunstpunkt BerlinSchlegelstraße 610115 Berlin opening: Thursday March 28, 2019 6-11pm duration: Mar 29– Apr 14, 2019,&nbsp;Fri - Sun 3 - 7 pm works by: Dafni Barbageorgopoulou | Carsten Becker | Henning Bohl | Dominik Bucher | Gastarbeiter on the Planet | Vassilis H | Nico Ihlein | Johanna Jaeger | Stelios Karamanolis | Tula Plumi | Max Schaffer | Peter Strickmann | Kostis Velonis | Moritz Wehrmann | Lily Wittenburg curated by Charlotte Silbermann http://frontviews.de/ Neuköllner Kunstpreis 2019 at Galerie im Saalbau Berlin Karl-Marx-Str. 141 12043 Berlin opening: February 1, 2019, 6pmduration: February 2 - March 24, 2019, daily 10am-8pm works by: Stefanie Bühler | Ingo Gerken | Johanna Jaeger | Petra Lottje | Océane Moussé | Natasza Niedziółka | Aurélie Pertusot | Lisa Premke https://www.berlin.de/kunst-und-kultur-neukoelln/kulturorte/galerie-im-saalbau/vorschau/ Thoughts on Tactility at SCHWARZ CONTEMPORARY Berlin Sanderstraße 28 12047 Berlin opening: January 17, 2019, 6-8pm duration: January 18 - February 23, 2019, Wed-Sat 12-6pm works by: Katinka Bock | Johanna Jaeger | Kathrin Köster | Edith Kollath | Helena Petersen | Kathrin Sonntag | Jenna Westra organised by Anne Schwarz &amp; Johanna Jaeger http://www.schwarz-contemporary.com/exhibitions/upcoming Camera Austria 144 text by Jens Asthoff https://camera-austria.at/zeitschrift/144-2018/ - Magazine Release Party &amp; Mini exhibition December 13, 2018, 7pm Kunstquartier Bethanien1rst floor / room 137Mariannenplatz 2, 10997 Berlin https://camera-austria.at/veranstaltungen/magazine-relase-party-camera-austria-international-no-144/ underSTOOD at Rockelmann &amp; Partner Schönleinstraße 5 10967 Berlin&nbsp; opening:&nbsp;Nov. 29, 2018, 7-9 PM duration:&nbsp;Nov. 30, 2018 - Jan. 12, 2019 works by:&nbsp;Abdolreza Aminlari, Claire Ashley, Marnie Bettridge, Zack Benson, Alex Bienstock, Virginia Chinana, Julia Colavita, Sonja Dahl, Mark Demuro, Abby Deneau, Kate Starbuck Elliot, Rachel Frank, Kai Franz, Priscilla Fusco, Sean Gerstley, Tahnee Godt, Nicki Green, Stephen Hawks, Christian Hendricks, Ben Harle, Joanne Howard, Johanna Jaeger, Florian Japp, Kristiane Kegelmann, Sam Kelly, Rachel Kling- Hoffer, Paul K Krause, Ryosuke Kumakura, Sarah Leber, Rebecca Manson, Sana Musasama, Thomas Natseway, James Payne, Ben Peter- Son, Praveena Christine Pichini, Cochait Pueblo, Valerian Roewer, Bailey Romaine, Katy Rush, James Schenck, Nadja Schütt, Stacy Jo Scott, Michael Stablein Jr., Mark Stafford, Megan Stroech, John Souter, Noah S. Thompson, Kathleen Vance, Brit Wegmann curated by:&nbsp;Priscilla Fusco and Ben Peterson https://www.rockelmann-partner.com/exhibitions/understood Quando scoppia la pace at Palazzo Todesco Strada Statale 51 di Alemagna 31029 Vittorio Veneto opening: November 4, 2018 duration: 12 months work is visible daily after dark works by Dario Agrimi | Anaïs Chabeur | Alice Cunningham | Andrey Kuzkin | Oliver Laric | Johanna Jaeger | Zsolt Asztalos | Sarah Smolders | Bill Balaskas | Nina Ivanovic | Philip Topolovac | Anna Hulacovà |&nbsp;Doplegenger&nbsp; curator: Dimitriv Ozerkov https://www.museivittorioveneto.it/museo_della_battaglia/centenario/Giovani-Artisti-Internazionali.html Straight, Crooked, Shaped – Über die Linie at Galerie im Marstall AhrensburgLübecker Str. 822926 Ahrensburg opening: Sunday, September 23, 2018, 4pmduration: 23.9.2018 - 4.11.2018, hours Wed, Sat &amp; Sun: 11am - 5 pm works byFernando de Brito | Janine Gerber | Johanna Jaeger | Thomas Judisch | Simon Hehemann | Franziska Nast | Lawrence Power | Alexander Pröpster | Jadranko Rebec https://www.galerie-im-marstall.de/ausstellungen/aktuell Artforum International Review of checkerboard sky&nbsp;by Jens Asthoff https://www.artforum.com/print/reviews/201806/johanna-jaeger-75596 OPEN HOUSE Offene Präsentation der Arbeiten der FinalistInnen des Karl Schmidt-Rottluff Stipendiums at Alte Münze BerlinMolkenmarkt 2, 10179 BerlinSaturday, June 2, 2018, 19hworks byYalda Afsah | Ana Alonso | Domingo Chaves | Lennart Constant | Liza Dieckwisch | Lotte Meret Effinger | Jan Erbelding | Serena Alma Ferrario | Anna Gohmert | Johanna Jaeger | Sebastian Jung | Marie Köhler | Felix Leffrank | Lilli Lulay | Henrike Naumann | Steve Paul Steven Paul | Laura Schawelka | Fabian Treiber | Anna Virnich | Raphaela Vogel "Seven Exhibitions | Sieben Ausstellungen" curated by Lukas Töpfer at Brandenburgischer Kunstverein Potsdam opening: March 25, 2018, 4pmduration: 26.3.- 3.6. 2018 works byDonald Bernshouse | Geta Bratescu | Nina Canell | Daniel Gustav Cramer | Haris Epaminonda | Markus Hoffmann | Johanna Jaeger | Felix Kiessling | Antje Majewski | Michael Müller | Das Numen | Katie Paterson http://www.bkv-potsdam.de/ checkerboard sky solo exhibition at SCHWARZ CONTEMPORARY Berlin opening: March 15, 2018, 6-8pmduration: March 16- April 28, 2018 http://www.schwarz-contemporary.com/exhibitions/upcoming »Muster Raum«Façade – Face – Fake – Fakt at Friedrich Schinkel Bauakademie Berlin Schinkelplatz 10117 Berlin works bySandra Krause Gomez | Johanna Jaeger | Kathrin Köster| Nina Fischer and Maroan el Sani | Karl Ludwig Lange | Ole Meergans | Christl Mudrak | Philip Topolovac | Raul Walch | Sinta Werner | Markus Wüste March 24, 2018: 6pm - midnightMarch 25, 2018: 2pm - 8pm http://www.frontviews.de/exhibition.php?exhibition_id=56 &nbsp; &nbsp; &nbsp; Transparency works byVanessa Enriquez | Hannah Gieseler | Monika Goetz | Johanna Jaeger | Edith Kollath | Alanna Lawley at BWA Wroclaw opening: November 30, 2017, 7 - 9 pm duration: November 30, 2017 - Februrary 3, 2018 Sic! GalleryKosciuszki 9/10 Sq.50-028 Wroclaw hours: Monday – Friday: 11:00 a.m – 6:00 pm, Saturday: 11:00 a.m – 3:00 pm http://bwa.wroc.pl/?tf_events=transparency&amp;lang=en for views exhibition with Phoebe d'Heurle | Johanna Jaeger | Sara Murphy | Jenna Westra at Hercules Art Studios New York 25 Park Place, Fl. 3New York, NY 10007 opening: November 3, 2017, 6-9 pm duration: November 3 - 17, 2017 hours: Friday thru Sunday from 12-6pm and by appointment http://www.herculesart.com/ Black Sun solo exhibition at Playground London30A Balls Pond RdLondon N1 4 AU opening: October 6, 2017, 7 pmduration: October 6 - 15, visible after sunset Standard International #4 - Spatial Clearings group exhibition at GLINTGlinkastraße 1710117 Berlin opening: August 19, 2017, 6 pmduration: 23.08. - 14.10.17, Wed- Sat 2-6 pmstandard-international.de/4-Spatial-Clearings/Eroffnung Subvers exhibition withJohanna Jaeger | Kathrin Köster | Marie von Heyl | Markus Wüste | Sinta Werner frontviews temporaryatLage EgalDanziger Straße 14510407 Berlin opening: July 20, 2017: 7-10 pmduration: 21. 7 - 29.7, 2017, THU - SAT, 3 -7 pm Das zweite Auge. Rollei und die Braunschweiger Fotoindustrie exhibition withJürgen Becker | Marcel Broodthaers | Hans Eijkelboom | Andreas Feininger | Daniela Friebel | David Hockney | Johanna Jaeger at Städtisches Museum BraunschweigSteintorwall 1438100 Braunschweig opening: March 26, 2017, 12 pmduration: March 27, 2017 - June 26, 2017 andere Situation exhibition withRomina Abate | Frank Dölling | Johanna Jaeger | Mickaël Marchand | Florian Slotawa at Museum für Photographie Braunschweig opening: March 30, 2017, 19hduration: March 31, 2017 - May 28, 2017 http://www.photomuseum.de/andere-situation-romina-abate-frank-doelling-johanna-jaeger-mickael-marchand/ ART ROTTERDAM Solo Presentation with SCHWARZ CONTEMPORARY February 8 - February 12, 2017 Van NellefabriekVan Nelleweg 13044BC Rotterdam www.artrotterdam.com Salon Magazin No. 3 (12/2016) with contributions byHeiner Blumenthal, Franz Burkhardt, Thimo Franke, Manor Grunewald, Lenia Hauser, Lukas Heerich, Tess Hurrell, Johanna Jaeger, Andy Kassier, Michaela Melián, Klaus Rinke, Daniel Roth, Natascha Schmitten, Johannes Wohnseifer.ISBN 978-3-89770-326-1 http://www.salon-verlag.de/book/9240/ work featured in Le monde diplomatique N°752, Paris https://www.monde-diplomatique.fr/2016/11/LAMBERT/56790 magazine feature CAMERA AUSTRIA Nr. 135 / Forum http://camera-austria.at/zeitschrift/135-2016/?lang=en publication of the catalogue JOHANNA JAEGER / AGATA MADEJSKA edited by: Dr. Dirk Dobke / Griffelkunstvereinigung Hamburg e.V.64 pages, offset printed, English and German ISBN: 978-3-9816643-5-5 JOHANNA JAEGERAGATA MADEJSKA at Kunstraum Seilerstraße Hamburg Griffelkunst-Vereinigung Hamburg Seilerstraße 4220359 Hamburg opening: May 1, 2016, 11am- 4pm duration: open daily from 10am to 4pm, until May 21, 2016 griffelkunst.de/ausstellungen/Kunstraum-Seilerstrasse infinite release Solo show at SCHWARZ CONTEMPORARY BERLIN Sanderstraße 2812047 Berlin opening: April 7, 2016 : 6-8 pm until May 14, 2016Wed – Sat, 11 am – 6 pm http://www.schwarz-contemporary.com Magenta Mag - interviewwww.magentamag.com/post/142170315520/horizontal-questions-circular-replies horizontal questions, circular replies Solo show at Galeria Starter, Warsaw Andersa 1300-159 Warsaw/Poland opening: March 3, 2016 7 pm duration: March 4, 2016 - April 10, 2016 Tuesday-Friday 12 p.m. – 6 p.m., Saturday 12 p.m. – 4 p.m. http://starter.org.pl/en https://johannajaeger.de/work Thu, 25 Oct 2018 11:24:53 +0000 Johanna Jaeger https://johannajaeger.de/work liquid_liquid/liquid_solid at SCHWARZ CONTEMPORARY c/o RIA, Berlin 2025 <img width="1146" height="1433" width_o="1146" height_o="1433" data-src="https://freight.cargo.site/t/original/i/f1a619c6a71f79731350bb70ba4a0da9146da8440582e857e97cd1a35330395b/2503-Schwarz-Contemporary21116_photo__def_image.jpg" data-mid="228312982" border="0" src="https://freight.cargo.site/w/1000/i/f1a619c6a71f79731350bb70ba4a0da9146da8440582e857e97cd1a35330395b/2503-Schwarz-Contemporary21116_photo__def_image.jpg" /> <img width="1433" height="1146" width_o="1433" height_o="1146" data-src="https://freight.cargo.site/t/original/i/64215cfe67a974faefb192059bc0a7fe2d19cd386875133dc206937e23d66d0b/2503-Schwarz-Contemporary21099_photo__def_image.jpg" data-mid="228312981" border="0" src="https://freight.cargo.site/w/1000/i/64215cfe67a974faefb192059bc0a7fe2d19cd386875133dc206937e23d66d0b/2503-Schwarz-Contemporary21099_photo__def_image.jpg" /><img width="1146" height="1433" width_o="1146" height_o="1433" data-src="https://freight.cargo.site/t/original/i/7eb9f23fcf0e9232a11c2881e571dde93e0896db27f86b65f5e8a82df63a4266/2503-Schwarz-Contemporary21134_photo__def_image.jpg" data-mid="228312980" border="0" src="https://freight.cargo.site/w/1000/i/7eb9f23fcf0e9232a11c2881e571dde93e0896db27f86b65f5e8a82df63a4266/2503-Schwarz-Contemporary21134_photo__def_image.jpg" />liquid_liquid/liquid_solid ist eine Serie aus Diptychen, von denen jedes zwei Zustände desselben Motifs zeigt: Die Kamera ist von oben auf ein wassergefülltes Gefäß gerichtet. Dann tropfe, schütte oder spritze ich Tinte ins Wasser, es entsteht ein ‚Gemälde in Bewegung‘, dessen einzelne Ausprägungen jeweils nur kurz weilen. Mit der Kamera halte ich verschiedene Stadien der zerlaufenden Tinte fotografisch fest und begleite das Motiv, ohne Stativ oder Kamera zu bewegen, bis Wasser und Tinte vollständig getrocknet sind. Dies dauert zwei bis vier Wochen. Das getrocknete Bild liefert ein anfangs nicht vorhersehbares Ergebnis, ein Bild aus Trocknungslinien und Staub, der während des Prozesses auf das Motiv gefallen ist. Schließlich stelle ich ein Bild des flüssigen Zustands dem getrockneten gegenüber und zeige beide invertiert, so dass alle Farben ins Komplementäre verkehrt und die Ebene des ‚während des Fotografierens Sichtbaren‘ verlassen wird. liquid_liquid/liquid_solid is a series of diptychs, each showing the same motif in two different states: The camera is looking into a water-filled basin from atop. Then I drip, pour or squirt ink into the water: a ‚painting in movement‘ emerges. Each iteration only lasts briefly. With the help of the camera I photographically document different states of the spreading ink and continue to capture the motif changing without moving camera or tripod until all liquids have dried. This takes from two to four weeks. The image of the dry state is impossible to foresee at the start and includes drying lines and dust that has fallen onto the motif during the process. In a last step I combine one image of the liquid state with an image of the dry state and invert both of them, so that what has been seen while photographing is no longer visible. <img width="1433" height="961" width_o="1433" height_o="961" data-src="https://freight.cargo.site/t/original/i/6c91eca9b1d7d1ccb5e667293e21f0bfdb12870242569b2bee8152c01f6e4485/LLLS_3_wei_geschlemmt-Kopie-2.jpg" data-mid="228314220" border="0" src="https://freight.cargo.site/w/1000/i/6c91eca9b1d7d1ccb5e667293e21f0bfdb12870242569b2bee8152c01f6e4485/LLLS_3_wei_geschlemmt-Kopie-2.jpg" />liquid_liquid/liquid_solid_3, 2024&nbsp;2 Archival Pigment Prints, gerahmt/framed je/each 112 x 80 cm <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/71c5e7730e6ccc51cfdb6f2aab47b38e9f61b9d84ba849624273101b612412fd/2503-Schwarz-Contemporary21089_photo__def_image.jpg" data-mid="228312977" border="0" src="https://freight.cargo.site/w/1000/i/71c5e7730e6ccc51cfdb6f2aab47b38e9f61b9d84ba849624273101b612412fd/2503-Schwarz-Contemporary21089_photo__def_image.jpg" />liquid_liquid/liquid_solid_5, 2025&nbsp;2 Archival Pigment Prints, gerahmt/framed je/each 112 x 80 cm <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/76c8d5fcb8503fcb1d89d317b7bf283d3c94743d57b7ffe4ba70f1c3cb0a00ef/2503-Schwarz-Contemporary21087_photo__def_image.jpg" data-mid="228312978" border="0" src="https://freight.cargo.site/w/1000/i/76c8d5fcb8503fcb1d89d317b7bf283d3c94743d57b7ffe4ba70f1c3cb0a00ef/2503-Schwarz-Contemporary21087_photo__def_image.jpg" />liquid_liquid/liquid_solid_3, 2024&nbsp;2 Archival Pigment Prints, gerahmt/framed je/each 112 x 80 cm <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/021560220b3b23d1d0f63a45688361e2a91a1d3cdf9e3cb49ba5eda02b1ac31c/2503-Schwarz-Contemporary21086_photo__def_image.jpg" data-mid="228312979" border="0" src="https://freight.cargo.site/w/1000/i/021560220b3b23d1d0f63a45688361e2a91a1d3cdf9e3cb49ba5eda02b1ac31c/2503-Schwarz-Contemporary21086_photo__def_image.jpg" />liquid_liquid/liquid_solid_4, 2025&nbsp;2 Archival Pigment Prints, gerahmt/framed je/each 112 x 80 cm&nbsp; <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/49e4bed1bd3380c3e49599b10ca6b8ad2917e5aa547c7b1f749fccea648c5d57/Detail5_2503-Schwarz-Contemporary21086_photo__def_image-Kopie.jpg" data-mid="228313353" border="0" src="https://freight.cargo.site/w/1000/i/49e4bed1bd3380c3e49599b10ca6b8ad2917e5aa547c7b1f749fccea648c5d57/Detail5_2503-Schwarz-Contemporary21086_photo__def_image-Kopie.jpg" /> Detail&nbsp;liquid_liquid/liquid_solid_4, 2025 SHIFT at SCHWARZ CONTEMPORARY, Berlin 2023 <img width="1433" height="963" width_o="1433" height_o="963" data-src="https://freight.cargo.site/t/original/i/acc791a076a3147db94fd4d218f8eb891996a1cc0119e9242756508d50e72db8/Shift_DSC_5118_flat-web.jpg" data-mid="187239791" border="0" src="https://freight.cargo.site/w/1000/i/acc791a076a3147db94fd4d218f8eb891996a1cc0119e9242756508d50e72db8/Shift_DSC_5118_flat-web.jpg" /> <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/878f36f7011d212e48d2e9b16ad612cdbda149fbc9062816b50bceb55288049a/shift_DSC_5128_1-web.jpg" data-mid="187239792" border="0" src="https://freight.cargo.site/w/1000/i/878f36f7011d212e48d2e9b16ad612cdbda149fbc9062816b50bceb55288049a/shift_DSC_5128_1-web.jpg" /> <img width="1433" height="806" width_o="1433" height_o="806" data-src="https://freight.cargo.site/t/original/i/e3345470d59faf09f586b9775e1f48e55539b5fb5f0abd771e7f09c0214f1850/2302-Schwarz-Contemporary1647_photo__def_image_Gruppe_2-web.jpg" data-mid="187239781" border="0" src="https://freight.cargo.site/w/1000/i/e3345470d59faf09f586b9775e1f48e55539b5fb5f0abd771e7f09c0214f1850/2302-Schwarz-Contemporary1647_photo__def_image_Gruppe_2-web.jpg" />the four seasons, 20234 handgeprintete Fotogramme/4 hand-printed photograms, gerahmt/framedje/each 125 x 100 cm Die Fotogramme interpretieren ein vom Madame Pompadour im 18.Jh bei François Boucher in Auf- trag gegebenes, vierteiliges Werk. Ähnlich einer Notiz ist auf vier in der Dunkelkammer gefilterten Farbhintergründen jeweils ein Stück der Darstellung einer Jahreszeit zu sehen. Der Rest bleibt auf- gerollt und erscheint als weiße Linie. Die analogen, in der Dunkelkammer mit Filtern hergestellten Farben orientieren sich an Vorstellungen von Lichtfarben und Erdtönen. The photograms interpret a four-part work by François Boucher, commissioned by Madame Pompadour in the 18th century. Similar to a note, a part of the depiction of each season is visible on four colored backdrops that were filtered in the darkroom. The rest is rolled up and manifests as a white line. The analog colors were created in the dark- room with the help of filters and are influenced by imagined colors of light and earth tones. <img width="1110" height="1433" width_o="1110" height_o="1433" data-src="https://freight.cargo.site/t/original/i/013a81855947942b33bdf179307ea18d12383091a63b7d1e70f81193e85a86ec/2302-Schwarz-Contemporary1646_photo__def_image-web.jpg" data-mid="187239780" border="0" src="https://freight.cargo.site/w/1000/i/013a81855947942b33bdf179307ea18d12383091a63b7d1e70f81193e85a86ec/2302-Schwarz-Contemporary1646_photo__def_image-web.jpg" /> the four seasons, 2023, detail <img width="1433" height="1146" width_o="1433" height_o="1146" data-src="https://freight.cargo.site/t/original/i/6ae7863675be2361b17bfea598aee6bcf5ab4b2f305adab3d443c19800b91f7b/2302-Schwarz-Contemporary1681_photo__def_image-Kopie.jpg" data-mid="187239785" border="0" src="https://freight.cargo.site/w/1000/i/6ae7863675be2361b17bfea598aee6bcf5ab4b2f305adab3d443c19800b91f7b/2302-Schwarz-Contemporary1681_photo__def_image-Kopie.jpg" /><img width="1433" height="1146" width_o="1433" height_o="1146" data-src="https://freight.cargo.site/t/original/i/0038383ab4e58edc06e059a93e39153316bfa0dab0b477bb3eaa8b1910dd2a03/2302-Schwarz-Contemporary1679_photo__def_image-Kopie.jpg" data-mid="187239784" border="0" src="https://freight.cargo.site/w/1000/i/0038383ab4e58edc06e059a93e39153316bfa0dab0b477bb3eaa8b1910dd2a03/2302-Schwarz-Contemporary1679_photo__def_image-Kopie.jpg" />connecting lines 1 &amp; 2, 20232 handgeprintete Fotogramme/2 hand-printed photogramsje/each 85 x 114 cm Die Fotogramme nehmen Bezug auf die ihnen vorangegangen Arbeit river pebbles (horizontal split 1-∞) für die die Künstlerin aus dem Tertiär stammende Flusskiesel halbiert hat. Diese sich in ihrer Struktur entsprechenden halben Kiesel wurden abfotografiert und mit in der Dunkelkammer direkt auf das lichtempfindliche Papier aufbelichteten, verschiedenfarbigen Linien wieder verbunden. The photograms reference an earlier work, river pebbles (horizontal split 1-∞), for which the artist cut river pebbles from the tertiary in halves. These pebble-halves with corresponding, mirrored structures were photographed and then reconnected with differently colored lines directly exposed (drawn) on the light sensitive paper. <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/727181fb18016b7e75da6e52f8d8303b94e046574c91c60a49146bbb5f574eb2/2302-Schwarz-Contemporary1665_photo__def_image-2-Kopie.jpg" data-mid="187239783" border="0" src="https://freight.cargo.site/w/1000/i/727181fb18016b7e75da6e52f8d8303b94e046574c91c60a49146bbb5f574eb2/2302-Schwarz-Contemporary1665_photo__def_image-2-Kopie.jpg" /> liquid_liquid/liquid_solid_1, 2023 2 Pigment Prints, gerahmt/framed je/each 112 x 80 cm Das Diptychon zeigt in Wasser zerlaufene Tinte, einmal nach wenigen Stunden im flüssigen Zustand&nbsp;und einmal nach ungefähr zwei Wochen im fast&nbsp;komplett getrockneten Zustand. Beide Bilder sind gemacht, ohne das Kamera oder Motiv bewegt&nbsp;wurden und werden in ihrer farbigen Umkehrung als Negativ gezeigt. The diptych shows dispersed ink in water, once after a few hours in a liquid state and once after about two weeks in an almost entirely dried state. Both images were taken without changing the position of the motiv or the camera and are shown as negatives with inverted colors. <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/1b5ef2e5d343a6948fb3b8fe2e6291f31f5970b1969ae066a94275d6836989a6/shift_2302-Schwarz-Contemporary22905_photo__def_image-web.jpg" data-mid="187239787" border="0" src="https://freight.cargo.site/w/1000/i/1b5ef2e5d343a6948fb3b8fe2e6291f31f5970b1969ae066a94275d6836989a6/shift_2302-Schwarz-Contemporary22905_photo__def_image-web.jpg" /> <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/cae0bffff3a944b2b89041230d839304f05440336f464446636970aa91f7834c/shift_2302-Schwarz-Contemporary22913_photo__def_image-web.jpg" data-mid="187239789" border="0" src="https://freight.cargo.site/w/1000/i/cae0bffff3a944b2b89041230d839304f05440336f464446636970aa91f7834c/shift_2302-Schwarz-Contemporary22913_photo__def_image-web.jpg" /> <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/33ed44f0e6e8953cdd862e2a8e88e2858494d5ac5c3183773fa7db39ab0ef104/shift_DSC_5089-web.jpg" data-mid="187239790" border="0" src="https://freight.cargo.site/w/1000/i/33ed44f0e6e8953cdd862e2a8e88e2858494d5ac5c3183773fa7db39ab0ef104/shift_DSC_5089-web.jpg" /> river notes, 202325min Video Loop, halbierte Flusskiesel/river pebbles, cut in halves304 x 558 cm Blaue Blätter ziehen in einer wandfüllenden Projektion horizontal durchs Bild. Gefilmt wurden sie im Herbst auf der Spree, die am Ateliergebäude der Künstlerin vorbeifließt. Hier werden sie in invertierter Form gezeigt. Bei genauem Betrachten ist die ständige Bewegung durch stillstehende Punkte unterbrochen: den Hintergrund der Projektion bilden halbierte in die Wand eingelassene Flusskiesel, die für von Bewegung geformten Stillstand stehen. In a wall-sized projection, blue leaves float horizontally through the image. They were filmed in autumn on the river Spree, that floats by the artist’s studio. Here, they are shown in inverted form. At closer inspection, the constant flow is interrupted by still standing points: the background of the projection is formed by river pebbles halves that are implanted in the wall, representing standstill formed by movement. <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/ef2fcab0d321da4a4093a16eb45e879edcf56f25d859bcb7f60b82f309ba6fad/2208-Schwarz-Contemporary5291_photo__def_image-Kopie.jpg" data-mid="187239778" border="0" src="https://freight.cargo.site/w/1000/i/ef2fcab0d321da4a4093a16eb45e879edcf56f25d859bcb7f60b82f309ba6fad/2208-Schwarz-Contemporary5291_photo__def_image-Kopie.jpg" /> vases without flowers (amber tree leaf/green_ blue/1_2), 20222 Pigment Prints, gerahmt/framedje/each 41 x 32,5 cm Ein Amberbaumblatt ist hinter einer Glasvase platziert. Zwischen dem ersten und dem&nbsp;zweiten Bild wird die Kameraperspektive minimal verändert. Gleichzeitig ändert sich die Farbe des Untergrundes von Grün (wie dem Blatt) zu Blau (wie dem Hintergrund), als ob die Perspektivänderung auch gleich das Umfeld beeinflusste. An amber tree leaf is placed behind a glass vase. The perspective of the camera shifts slightly between the first and the second image. Simultaneously the color of the ground changes from green (like the leaf) to blue (like the ground), as if the shift of perspective also caused to change the surrounding. Clouds &amp; pebbles at DRAWING ROOM, Hamburg 2021/ 2022 <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/ecbd6d747765cf77ae0dd29c5c931ca09455bb4666ba89be3c5653d0924ab109/JJ_clouds_and_pebbles_5_.jpg" data-mid="140153226" border="0" src="https://freight.cargo.site/w/1000/i/ecbd6d747765cf77ae0dd29c5c931ca09455bb4666ba89be3c5653d0924ab109/JJ_clouds_and_pebbles_5_.jpg" /> <img width="1433" height="954" width_o="1433" height_o="954" data-src="https://freight.cargo.site/t/original/i/072d3bdf7855a5af762e9a97c371a09e94e1639ccbce293188897b34718d8226/DSC_2371_pebble.jpg" data-mid="140153144" border="0" src="https://freight.cargo.site/w/1000/i/072d3bdf7855a5af762e9a97c371a09e94e1639ccbce293188897b34718d8226/DSC_2371_pebble.jpg" /> <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/c03ae725932f98bcc75ddc5a4d0eb41fb265224de583fbb9df1a14b757581731/JJ_clouds_and_pebbles_2_.jpg" data-mid="140152272" border="0" src="https://freight.cargo.site/w/1000/i/c03ae725932f98bcc75ddc5a4d0eb41fb265224de583fbb9df1a14b757581731/JJ_clouds_and_pebbles_2_.jpg" /><img width="1433" height="474" width_o="1433" height_o="474" data-src="https://freight.cargo.site/t/original/i/6683c3031ed22e5b0bea552b68f810a4530761889b5b8a2a118b23330b86507e/JJ_clouds_and_pebbles_3.jpg" data-mid="140152273" border="0" src="https://freight.cargo.site/w/1000/i/6683c3031ed22e5b0bea552b68f810a4530761889b5b8a2a118b23330b86507e/JJ_clouds_and_pebbles_3.jpg" /> river pebble (horizontal split_1-∞), 2021 halbierte, in die Wand implantierte Flußkiesel (gegenüberliegend) / river pebbles, cut into halves, presented as a wall inlay (on opposite sides), Größe variabel / size variable Flusskiesel aus dem Tertiär wurden halbiert und mit der geschliffenen Schnittfläche nach vorne einander gegenüberliegend wie Intarsien in die Wand implantiert. Durch die gespiegelten Positionen und die sich entsprechende Größe und Steinmaserung der Kiesel, bleibt die Verbindung der ehemals verbundenen Stücke ‘durch den Raum’ bestehen. Die Kiesel sind&nbsp;– ähnlich einer planetaren Konstellation – über die Wand verteilt installiert. Während der Himmel in sky piece den Boden bedeckt, besetzen die Steine die obere Hälfte des Raumes. River pebbles from the tertiary have been cut in halves, implanted into the wall on opposite sides with the cut and sanded surface facing outward, just like marquetry. Through the mirrored positions and the corresponding size and structure of the stones, the connection between the formerly connected pieces stays strong ‘across the space’. The pebbles are installed in a loose pattern, similar to a planetary constellation. And while the sky in sky piece is presented on the floor, the stones occupy the upper half of the space. <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/9a38bf566ce9852c76a53e1a29eff3bd6ae70db1ddf87788239248cc8a477b2a/JJ_clouds_and_pebbles_2__.jpg" data-mid="140153691" border="0" src="https://freight.cargo.site/w/1000/i/9a38bf566ce9852c76a53e1a29eff3bd6ae70db1ddf87788239248cc8a477b2a/JJ_clouds_and_pebbles_2__.jpg" /> installation view withsky piece, 2021river pebble (horizontal split_1-∞), 2021 inverse fall/ indistinct, 2021 vases without flowers (glass / water / leaf / test- stripes), 2020 <img width="1433" height="865" width_o="1433" height_o="865" data-src="https://freight.cargo.site/t/original/i/03310423bf9ca3b413ebb5df9856a62ebafca2ea6e1776e60d464fc4dfec7f5c/JJ_clouds_and_pebbles_4.jpg" data-mid="140152274" border="0" src="https://freight.cargo.site/w/1000/i/03310423bf9ca3b413ebb5df9856a62ebafca2ea6e1776e60d464fc4dfec7f5c/JJ_clouds_and_pebbles_4.jpg" />blue swirl/ inverse fall, 20212 Pigment Prints, gerahmt/ framed, je/ each 29,6 x 23,5 cm <img width="1433" height="832" width_o="1433" height_o="832" data-src="https://freight.cargo.site/t/original/i/26dbf4825fa2a9856ccd06b1824366befabea9cc2a3d7e48f968c608334339ca/JJ_clouds_and_pebbles_5.jpg" data-mid="140152275" border="0" src="https://freight.cargo.site/w/1000/i/26dbf4825fa2a9856ccd06b1824366befabea9cc2a3d7e48f968c608334339ca/JJ_clouds_and_pebbles_5.jpg" /> inverse fall/ indistinct, 20212 Pigment Prints, gerahmt/ framed, je/ each 29,6 x 24,8 cm <img width="1433" height="1071" width_o="1433" height_o="1071" data-src="https://freight.cargo.site/t/original/i/2068cd3682c8f9c32599f9f4b3309e0a852c5234f8b2efa7f68d602baf789ede/JJ_clouds_and_pebbles_8.jpg" data-mid="140152277" border="0" src="https://freight.cargo.site/w/1000/i/2068cd3682c8f9c32599f9f4b3309e0a852c5234f8b2efa7f68d602baf789ede/JJ_clouds_and_pebbles_8.jpg" /> vases without flowers (glass / water / leaf / test- stripes), 2020Pigment Print gerahmt/ framed, 54,2 x 77cm <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/fcd23a7f69d61232bf224ef70fa6afcba911561d7a81e057950490bdc4d3dd57/JJ_clouds_and_pebbles_1.jpg" data-mid="140152183" border="0" src="https://freight.cargo.site/w/1000/i/fcd23a7f69d61232bf224ef70fa6afcba911561d7a81e057950490bdc4d3dd57/JJ_clouds_and_pebbles_1.jpg" /> installation view with sky piece, 2021river pebble (horizontal split_1-∞), 2021 clouds &amp; pebbles (making 2 of 1), 2020 Repeating accidents at SCHWARZ CONTEMPORARY, Berlin 2020 <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/700772c739d65e981dbd952b7616ac31c525bb124e3b0a4c2abf009eee9c7ff7/RA_6.jpg" data-mid="90609602" border="0" src="https://freight.cargo.site/w/1000/i/700772c739d65e981dbd952b7616ac31c525bb124e3b0a4c2abf009eee9c7ff7/RA_6.jpg" /> clouds &amp; pebbles (making 2 of 1), 20204 Archival Pigments Prints, gerahmt / framed je / each 33 x 23 cm Vor einem Hintergrund aus Fotografien einer Steinplatte und eines Himmelsausschnittes, wird ein Kieselstein visuell zerteilt und wieder zusammengefügt. Der Kiesel rückt in scheinbar logischer Folge hinter einer wassergefüllten Vase hin- und her, wie der Blick zwischen den Bildern. With a backdrop of photographs of a stone plate and a piece of the sky, a pebble is visually cut in two and then reunited. The pebble moves behind a water-filled vase in seemingly logical steps, just as the gaze jumps back and forth between the images. <img width="1075" height="1433" width_o="1075" height_o="1433" data-src="https://freight.cargo.site/t/original/i/689332343375d84d0f1eddfa51300bf687a79f9a30a4885ba237c7d20f068564/RA_7.jpg" data-mid="90609603" border="0" src="https://freight.cargo.site/w/1000/i/689332343375d84d0f1eddfa51300bf687a79f9a30a4885ba237c7d20f068564/RA_7.jpg" /> sidewalk fossil (repeated_as_wall_implant), 2020 Gipsabdruck eines Lindenblattes in der Wand / plaster imprint of a linden tree leaf on a wall, Installationsansicht s. nächstes Bild / installation view see next image, ca. / aprox. 7 x 9 cm Die Arbeit bezieht sich auf das zwei Jahre vorher entstandene Diptychon sidewalk fossil (brooklyn), für welches ein zufällig in einer New Yorker Gehwegplatte entdeckter Blattabdruck fotografiert und weiter bearbeitet wurde. Hier ist ein Blattabdruck mitten auf der Galeriewand zu sehen. This work references the diptych sidewalk fossil (brooklyn), photographed two years prior, showing an accidentally discovered leaf imprint on a New York sideway that was further modified by the artist. This leaf imprint is placed in the middle of a gallery wall. <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/d211c0fae8e0a49fed0b0028af31b3440ce65eee502be1f8133f053f69ea4fa2/CPB_0_web.jpg" data-mid="90612484" border="0" src="https://freight.cargo.site/w/1000/i/d211c0fae8e0a49fed0b0028af31b3440ce65eee502be1f8133f053f69ea4fa2/CPB_0_web.jpg" /> <img width="1433" height="962" width_o="1433" height_o="962" data-src="https://freight.cargo.site/t/original/i/3847abe1efe948e5f50221b72c3656bbbe56e62fa8570f9f7e3c0ad955e6b6d6/CPB_1_web.jpg" data-mid="90611894" border="0" src="https://freight.cargo.site/w/1000/i/3847abe1efe948e5f50221b72c3656bbbe56e62fa8570f9f7e3c0ad955e6b6d6/CPB_1_web.jpg" /><img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/177e8941eb0d5681d872243c13d4b72087fcb9608256e6ca828083168248d237/CPB_2_web.jpg" data-mid="90609642" border="0" src="https://freight.cargo.site/w/1000/i/177e8941eb0d5681d872243c13d4b72087fcb9608256e6ca828083168248d237/CPB_2_web.jpg" /> clouds passing by, 2020ortsspezifische Projektion auf grüne Glaswand / site-specific projection on green glass wall, einstündiger Videoloop / one hour video loop, 300 x 530 cm Aus dem Atelierfenster der Künstlerin gefilmte, ziehende Wolken werden auf die dunkle, im Erdgeschoss befindliche Wand projiziert, die aus hauptsächlich grünen Glasstückchen besteht und fester Bestandteil der Galerieräume ist. Die Wand wird Träger des Bewegtbildes und ihre Materialität durch das Glitzern einzelner Glassteinchen hervorgehoben. Der Himmel zieht ins Erdgeschoss des Gebäudes, wo er normalerweise unsichtbar ist. Passing clouds, filmed from the artists studio win- dow are projected onto the dark gallery wall that is part of the architecture and consists of small, mostly green pieces of glass. The wall becomes projection surface for this moving image and its materiality is heightened through the breaking of light in singular pieces of glass. The sky is imported to the building’s ground floor where it is normally invisible. Ausschnitt ansehen / watch exerpt from the video <img width="1433" height="806" width_o="1433" height_o="806" data-src="https://freight.cargo.site/t/original/i/69d2242ee699d362d64b32d50739e7a0031a722c7c27984cce1ca6ac8fd5e5b0/RA_80.jpg" data-mid="90609667" border="0" src="https://freight.cargo.site/w/1000/i/69d2242ee699d362d64b32d50739e7a0031a722c7c27984cce1ca6ac8fd5e5b0/RA_80.jpg" /> desktop horizon, 2018C-Prints, 13-teilig / 13 parts, gerahmt / framed, erste zwei / first two: 36 x 49 cm, folgende elf / follow- ing eleven: 37 x 45 cm images 1, 2, 5, 8, 11 <img width="1433" height="1060" width_o="1433" height_o="1060" data-src="https://freight.cargo.site/t/original/i/ba3981cc02dd819007c051f2b85d2c7ee1abb240946d8f2b28c06d41052b49a1/sunset_1.jpg" data-mid="90616324" border="0" src="https://freight.cargo.site/w/1000/i/ba3981cc02dd819007c051f2b85d2c7ee1abb240946d8f2b28c06d41052b49a1/sunset_1.jpg" /><img width="1433" height="1060" width_o="1433" height_o="1060" data-src="https://freight.cargo.site/t/original/i/c37ba03b5d7c34f6b4a11e1ecea028b5cb1ff4eb8e03e0e16960b149b8084a05/sunset_2.jpg" data-mid="90616330" border="0" src="https://freight.cargo.site/w/1000/i/c37ba03b5d7c34f6b4a11e1ecea028b5cb1ff4eb8e03e0e16960b149b8084a05/sunset_2.jpg" /><img width="1433" height="1175" width_o="1433" height_o="1175" data-src="https://freight.cargo.site/t/original/i/bf3929b77faee067fcc88de1a6a9342e51118e6a965fa8f72f6ee79c24067f21/D_H_1.jpg" data-mid="90616788" border="0" src="https://freight.cargo.site/w/1000/i/bf3929b77faee067fcc88de1a6a9342e51118e6a965fa8f72f6ee79c24067f21/D_H_1.jpg" /><img width="1433" height="1175" width_o="1433" height_o="1175" data-src="https://freight.cargo.site/t/original/i/378145c3ea98286f3146c5b7fea034f286099e91d980ad4d7e056487bed16ad7/D_H_2.jpg" data-mid="90616790" border="0" src="https://freight.cargo.site/w/1000/i/378145c3ea98286f3146c5b7fea034f286099e91d980ad4d7e056487bed16ad7/D_H_2.jpg" /><img width="1433" height="1175" width_o="1433" height_o="1175" data-src="https://freight.cargo.site/t/original/i/413ae12d2310364d617ff50d364e5954f74cd993df22694c36d029be144f50ac/D_H_3.jpg" data-mid="90616792" border="0" src="https://freight.cargo.site/w/1000/i/413ae12d2310364d617ff50d364e5954f74cd993df22694c36d029be144f50ac/D_H_3.jpg" /> desktop horizon untersucht eine Konvention der Fotografie. Zwei Aufnahmen von Sonnenuntergängen - einem Motiv, das das Verlangen nach dem Festhalten mittels der Fotografie und gleichzeitig ihr Unvermögen dies zu tun, exemplarisch darstellt - werden seziert und in einzelne Farbtöne zerlegt. Diese Farbtöne wurden von der Künstlerin mithilfe von Farbfiltern in der Dunkelkammer einzeln über ein anderes Motiv gelegt: eine Fotografie ihres Ateliertisches. Der Tisch wurde fotografiert als gerade ein Sonnenstrahl darauf fiel und das abstrahlende Licht an der dahinter liegenden Wand an ein Naturphänomen erinnert: die Tischplatte als Ort, an dem eine Idee oder eine Projektion in die Weite entstehen kann. desktop horizon examines another photographic convention. Two photographs of sunsets - a motif that exemplifies the longing to preserve with the means of photography and simultaneously shows its inability to do so - are dissected into the different colors present in the images. These color hues were then filtered on a different motif in the darkroom: a photograph of the artist’s desk. The desk was photographed when hit by a beam of sunlight reflecting back on the wall behind it, therefore baring resemblance to a natural phenomenon. The desktop as a place where an idea or a projection can begin. <img width="1146" height="1433" width_o="1146" height_o="1433" data-src="https://freight.cargo.site/t/original/i/0c32e0efafad84876662e905090cc03e9458e8748752ccfef4851011c21717f3/RA_90.jpg" data-mid="90609669" border="0" src="https://freight.cargo.site/w/1000/i/0c32e0efafad84876662e905090cc03e9458e8748752ccfef4851011c21717f3/RA_90.jpg" /> repeating accidents_1 (pebbles), 2020 Archival Pigment Print, gerahmt / framed 72 x 96 cm Eine wassergefüllte Schale mit zerlaufender Tinte auf Kieselsteinen, fotografiert auf einer Fotografie ebendieses Motives. Der unmögliche Versuch zweimal zufällig das Gleiche stattfinden zu lassen. A water filled vessel with spreading ink on top of pebbles, photographed on a photograph of the same scene The impossible attempt to accidentally repeat an uncontrollable image. Camera Commentary at TECHNISCHE SAMMLUNGEN DRESDEN, Dresden 2019 <img width="1433" height="1075" width_o="1433" height_o="1075" data-src="https://freight.cargo.site/t/original/i/72b364b8b46f3dc9bdce3e8caedaaf10fab592e6cbd170e354bedc94577a26d2/CC_1.jpg" data-mid="90619852" border="0" src="https://freight.cargo.site/w/1000/i/72b364b8b46f3dc9bdce3e8caedaaf10fab592e6cbd170e354bedc94577a26d2/CC_1.jpg" /><img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/22e890d12030be3315f7b0555445451066b04b3073c90f8d861be90b9cdee29d/CC_2.jpg" data-mid="90619853" border="0" src="https://freight.cargo.site/w/1000/i/22e890d12030be3315f7b0555445451066b04b3073c90f8d861be90b9cdee29d/CC_2.jpg" /><img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/d5997a6a95f6298e21570bcef29bc48071afec5fa34e12de89703513330b2f63/CC_3.jpg" data-mid="90619854" border="0" src="https://freight.cargo.site/w/1000/i/d5997a6a95f6298e21570bcef29bc48071afec5fa34e12de89703513330b2f63/CC_3.jpg" /> test stripes of time (sky inverse), 2019Fototapete auf Wand / photographic wallpaper on wall (280 x 427 cm &amp; 2-teilig / two parts: 280 x 108 cm) / Fototapete auf Holzpanelen / photographic wallpaper on wooden panels (4-teilig / four parts: 260 x 96 cm) Grundlage der speziell für die Ausstellung entwickelten Installation ist eine Aufnahme des Himmels über Dresden. Wenn man den Raum betritt, sieht man zunächst Ausschnitte des Bildes in verschiedenen Helligkeitsstufen. Gleich einer fotografischen Belichtungsreihe lehnen sie an den Pfeilern, die den Raum mittig durchziehen. An der zentralen Wand gegenüber des Eingangs ist das Motiv dann in Gänze zu sehen - als fotografisches Negativ. Links und rechts der Eingangstür zeigen Streifen das Positiv. Positiv und Negativ sind räumlich so gesetzt, dass die Umkehrung physisch und mit einer Drehung&nbsp;um 180 Grad gleichgesetzt wird. Die Übersetzung von Belichtungszeit in Helligkeitsstufen findet ihr Äquivalent in der räumlichen Distanz zwischen den Pfeilern. The installation was specifically made for the exhibition and is based on a photograph of the sky above Dresden. When entering the room, one first sees excerpts of the image in different shades of brightness. They are leaning against the pillars dividing the space along its middle: like a series of exposures typically used in test stripes. On the central wall facing the entry the entire motif becomes visible as a photographic negative. The stripes to the left and the right side of the entrance door are showing the positive. Positive and negative are displayed in such a way that the inversion becomes physical - being equaled by a 180° turn. The shades of brightness find its spatial equivalent in the distance between the pillars. Quando scoppia la pace at PALAZZO TODESCO, Vittorio Veneto 2018/2019 <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/8613ceb78c1edc24d445036e8a3d50d9d50290b4a4a661559e1ba3bfed003ddc/palazzo_todesco_1.jpg" data-mid="47738493" border="0" src="https://freight.cargo.site/w/1000/i/8613ceb78c1edc24d445036e8a3d50d9d50290b4a4a661559e1ba3bfed003ddc/palazzo_todesco_1.jpg" /> <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/cc68e1fa2b713debdecf4eb9f3672c17e3165f1042b8567d294f49efb3af8bba/palazzo_todesco_2.jpg" data-mid="47738494" border="0" src="https://freight.cargo.site/w/1000/i/cc68e1fa2b713debdecf4eb9f3672c17e3165f1042b8567d294f49efb3af8bba/palazzo_todesco_2.jpg" /> <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/fb9571c571964ab1aba85e6520692e222094e8f7c047fb10470dfaf8d545a1d0/palazzo_todesco_3.jpg" data-mid="47738495" border="0" src="https://freight.cargo.site/w/1000/i/fb9571c571964ab1aba85e6520692e222094e8f7c047fb10470dfaf8d545a1d0/palazzo_todesco_3.jpg" /><img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/14b0e421893c2b9a216ba4d1cabe84f52ac4db5c1b9850edcc0e27cbc2cff9e7/palazzo_todesco_4.jpg" data-mid="47738497" border="0" src="https://freight.cargo.site/w/1000/i/14b0e421893c2b9a216ba4d1cabe84f52ac4db5c1b9850edcc0e27cbc2cff9e7/palazzo_todesco_4.jpg" /> <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/a1ec413193fae7a91950220e3300355144f5ef8c402f396cb543464d09fd5a6d/palazzo_todesco_5.jpg" data-mid="47738498" border="0" src="https://freight.cargo.site/w/1000/i/a1ec413193fae7a91950220e3300355144f5ef8c402f396cb543464d09fd5a6d/palazzo_todesco_5.jpg" /><img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/1bca5b609838f2ddec2215e1121638ff0c6743b6c2623bb91db61dea5587b6d8/palazzo_todesco_6.jpg" data-mid="47738500" border="0" src="https://freight.cargo.site/w/1000/i/1bca5b609838f2ddec2215e1121638ff0c6743b6c2623bb91db61dea5587b6d8/palazzo_todesco_6.jpg" /> unstill (20minutes), 2017 ortsspezifische Rückprojektion auf Fenster / site-specific rear projection on window,&nbsp;Projektion täglich von der Dämmerung bis zum Morgengrauen / projected daily from dusk till dawn, ca. 2,5 x 6 Meter /&nbsp;approximately 2,5 x 6 metres Das Video zeigt schwarze Tinte, die sich über einen Zeitraum von 20 Minuten in Wasser verteilt in der Originalgeschwindigkeit. Am Anfang ist viel und gegen Ende kaum Bewegung zu erkennen.The video shows black ink spreading in water over the course of 20 minutes in original time. In the beginning, the movement is fast, towards the end, there is barely any movement visible. checkerboard sky at SCHWARZ CONTEMPORARY, Berlin 2018 <img width="1433" height="1075" width_o="1433" height_o="1075" data-src="https://freight.cargo.site/t/original/i/cef3d10c35e5285c29e89e99e5ef3bb71fe2caf56d7227ea075db1d35baca93c/1803-Schwarz-Contemporary41680-photodef_imageweb.jpg" data-mid="27046752" border="0" src="https://freight.cargo.site/w/1000/i/cef3d10c35e5285c29e89e99e5ef3bb71fe2caf56d7227ea075db1d35baca93c/1803-Schwarz-Contemporary41680-photodef_imageweb.jpg" /> studio sky (checkerboard clouds), 2018, Blueback-Print auf der Wand / Blueback-Print on wall, 120 x 440 cm In studio sky (checkerboard clouds) ist eine modifizierte Version einer Fotografie des Himmels aus meinem Atelierfenster direkt auf die Wand aufgezogen. Positiv und Negativ desselben Bildes wurden übereinander gelegt, um eine Verschiebung / einen Schatten zu erzeugen. Das Bild wird auf dem Kopf stehend präsentiert, als Verweis an den Blick durch eine Großformatkamera. studio sky (checkerboard clouds), a modified version of an image of the sky, taken from my studio, is mounted directly to the wall. Positive and nega-tive of the same image are superimposed to create a ‘décalage’ or a shadow. The image is presented upside down like the view through a large format camera. <img width="1433" height="1075" width_o="1433" height_o="1075" data-src="https://freight.cargo.site/t/original/i/141f5ed6651d6bca21a4ffa152a4c509e14bc257bfd11aca043595f4d7446183/1803-Schwarz-Contemporary41647-photodef_image_bearbweb.jpg" data-mid="27046751" border="0" src="https://freight.cargo.site/w/1000/i/141f5ed6651d6bca21a4ffa152a4c509e14bc257bfd11aca043595f4d7446183/1803-Schwarz-Contemporary41647-photodef_image_bearbweb.jpg" /><img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/f3e5dbc9620fee8012106868820c3494ff54c0c0596a7bef13cb2c8bf61d3a12/1803-Schwarz-Contemporary41786-photodef_image_bearbweb.jpg" data-mid="27046750" border="0" src="https://freight.cargo.site/w/1000/i/f3e5dbc9620fee8012106868820c3494ff54c0c0596a7bef13cb2c8bf61d3a12/1803-Schwarz-Contemporary41786-photodef_image_bearbweb.jpg" /> sidewalk fossil (brooklyn), 2018, 2 C-Prints, gerahmt / framed, je / each: 29,5 x 22,5 cm sidewalk fossil beruht auf einem gefundenen Motiv aus Brooklyn, New York. Zwei modifizierte Versionen desselben Bildes zeigen je den Abdruck eines Lindenblatts in der Zementoberfläche einer Gehwegplatte neben einem tatsächlichen Lindenblatt. Um den zeitlichen Unterschied zwischen dem gerade vom Baum gefallenen Blatt und der ,fossilisierten’ Version hervorzuheben, wurde pro Bild je eines der Blätter mithilfe einer Schablone in der Dunkelkammer nachbelichtet. Beide basieren auf einem in der Farbdunkelkammer geprinteten Schwarz-Weiß-Negativ. sidewalk fossil is based on a found situation from Brooklyn, New York. It consists of two modified versions of the same image, each showing a Linden tree leaf imprinted in the cement of the sidewalk next to an actual leaf. To emphasize the difference in time between the leaf that has just fallen off the tree and the one that has been ‘fossilized’ at an unknown moment in the past, I burned one of the leaves in the developing process using a stencil in the darkroom. Both prints are color prints, made from a black and white negative. <img width="1433" height="1911" width_o="1433" height_o="1911" data-src="https://freight.cargo.site/t/original/i/f3379b7776db3037dfe523da45b7c4246b4a9d797d86bb2b0ff283bdebd2e33e/1803-Schwarz-Contemporary41809-photodef_imageweb.jpg" data-mid="27046749" border="0" src="https://freight.cargo.site/w/1000/i/f3379b7776db3037dfe523da45b7c4246b4a9d797d86bb2b0ff283bdebd2e33e/1803-Schwarz-Contemporary41809-photodef_imageweb.jpg" /> anti-gravity pebble, 2018, Boden, Decke, halbierter Kieselstein / floor, ceiling, two halfs of a pebble, Maße variabel / dimension variable <img width="1433" height="1064" width_o="1433" height_o="1064" data-src="https://freight.cargo.site/t/original/i/a4fbab1c2db6d8aa4a28e0ea61551db6ae8025ecf1443662f2786890f8772cfa/DSC_0405_1_bearbweb.jpg" data-mid="27046748" border="0" src="https://freight.cargo.site/w/1000/i/a4fbab1c2db6d8aa4a28e0ea61551db6ae8025ecf1443662f2786890f8772cfa/DSC_0405_1_bearbweb.jpg" /> anti-gravity pebble besteht aus einem grauen Kieselstein, der halbiert wurde. Die eine Hälfte des Steins wird auf dem Boden und die andere an der Decke gezeigt. Der angedeutete Fall zwischen den beiden Steinhälften wird auf der anderen Seite der freistehenden Wand in monument for a second (splash) wieder aufgenommen: einem Polaroid, das den Fall eines Steins in Wasser zeigt. anti-gravity pebble, a gray pebble cut through its middle is presented as one half balancing on the floor and the other ‘balancing on the ceiling’. The suggested fall in the piece is referenced in monument for a second (splash) on the back side of the free-standing wall: a Polaroid depicting the fall of a stone in water. <img width="1433" height="2147" width_o="1433" height_o="2147" data-src="https://freight.cargo.site/t/original/i/c98c1e99edfdaa9119425f4f5cfeee15d989cc25caa6db50fdee73e9f2de5da0/DSC_0367_bearbweb.jpg" data-mid="27046747" border="0" src="https://freight.cargo.site/w/1000/i/c98c1e99edfdaa9119425f4f5cfeee15d989cc25caa6db50fdee73e9f2de5da0/DSC_0367_bearbweb.jpg" />monument for a second (splash), 2018, Polaroid, 8,8 x 10,8 cm <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/c55c9253252c38136d0c692fa25e04efa78b1b925370628f6b80b8798823f909/Johanna_Jaeger_developing_horizon_2018web.jpg" data-mid="27046746" border="0" src="https://freight.cargo.site/w/1000/i/c55c9253252c38136d0c692fa25e04efa78b1b925370628f6b80b8798823f909/Johanna_Jaeger_developing_horizon_2018web.jpg" /> developing horizon, 2017, 5 Archival Pigment Prints auf Aluminium / on Aluminum, je / each: 41,5 x 27,5 cm Die Serie developing horizon zeigt den Entwicklungsprozess eines Polaroids. Die Zeitspanne vom ersten bis zum letzten Bild beträgt etwa 45 Minuten. The series developing horizon shows the gradual development of photo emulsion in a Polaroid. The documented time span, first to last image, is about 45 minutes. <img width="1433" height="269" width_o="1433" height_o="269" data-src="https://freight.cargo.site/t/original/i/51b784bd2b924c627090b8c0e270a8c2b320ac7969b4602759d5d68e0b8a1969/unstill_1.png" data-mid="27046744" border="0" src="https://freight.cargo.site/w/1000/i/51b784bd2b924c627090b8c0e270a8c2b320ac7969b4602759d5d68e0b8a1969/unstill_1.png" /> <img width="1433" height="268" width_o="1433" height_o="268" data-src="https://freight.cargo.site/t/original/i/f740b580a05127bc5b095f4c0b56aa2ecbe90c3f7acdab2f8e924559bdee1eba/unstill_2.png" data-mid="27046743" border="0" src="https://freight.cargo.site/w/1000/i/f740b580a05127bc5b095f4c0b56aa2ecbe90c3f7acdab2f8e924559bdee1eba/unstill_2.png" /><img width="1433" height="269" width_o="1433" height_o="269" data-src="https://freight.cargo.site/t/original/i/62ef4d7626cbb99a11c77aa5fb37a11449b8a475d9ae2821531347c32be65063/unstill_3.png" data-mid="27046742" border="0" src="https://freight.cargo.site/w/1000/i/62ef4d7626cbb99a11c77aa5fb37a11449b8a475d9ae2821531347c32be65063/unstill_3.png" /><img width="1433" height="270" width_o="1433" height_o="270" data-src="https://freight.cargo.site/t/original/i/873eea808b2a9953eb0576cb74128b7382aeee92bd42b2267a92605391fcbd51/unstill_4.png" data-mid="27046741" border="0" src="https://freight.cargo.site/w/1000/i/873eea808b2a9953eb0576cb74128b7382aeee92bd42b2267a92605391fcbd51/unstill_4.png" /><img width="1433" height="269" width_o="1433" height_o="269" data-src="https://freight.cargo.site/t/original/i/de1f5bc098a2ed241a85a0c3753df6151bef7ed35b630bb469dbfb45f97d14a5/unstill_5.png" data-mid="27046740" border="0" src="https://freight.cargo.site/w/1000/i/de1f5bc098a2ed241a85a0c3753df6151bef7ed35b630bb469dbfb45f97d14a5/unstill_5.png" /><img width="1433" height="268" width_o="1433" height_o="268" data-src="https://freight.cargo.site/t/original/i/62a9f5d2e85c4fb29f457aaa0ca70c44b1a98601c0f047e6a8369d0956dd769d/unstill_6.png" data-mid="27046739" border="0" src="https://freight.cargo.site/w/1000/i/62a9f5d2e85c4fb29f457aaa0ca70c44b1a98601c0f047e6a8369d0956dd769d/unstill_6.png" />Stills aus dem Video / still images from the video unstill (20 minutes), 2017, Videoloop, Projektionsmaße variabel / projection size variable Das Video zeigt schwarze Tinte, die sich über einen Zeitraum von 20 Minuten in Wasser verteilt in der Originalgeschwindigkeit. Am Anfang ist viel und gegen Ende kaum Bewegung zu erkennen. The video shows black ink spreading in water over the course of 20 minutes in original time. In the beginning, the movement is fast, towards the end, there is barely any movement visible. Video ansehen / watch the video <img width="1433" height="1791" width_o="1433" height_o="1791" data-src="https://freight.cargo.site/t/original/i/786bb2c4a630e6022077ae255f7aacac58cd4dc1e036ae9808dabfed9627a438/1803-Schwarz-Contemporary41712-photodef_imageweb.jpg" data-mid="27046738" border="0" src="https://freight.cargo.site/w/1000/i/786bb2c4a630e6022077ae255f7aacac58cd4dc1e036ae9808dabfed9627a438/1803-Schwarz-Contemporary41712-photodef_imageweb.jpg" /> permanent liquid_1 &amp; permanent liquid_2, zwei Zustände eines Sets: überlappende Fotografien von Steinstrukturen werden von einem transparenten Gefäß, in dem sich Tinte verteilt, überdeckt. So werden die kurzlebigen Strukturen der Tinte mit den seit langem erhärteten Strukturen der Steine verwebt: aktuelle und geologische Zeit werden fotografisch auf eine Ebene gebracht. permanent liquid_1 &amp; permanent liquid_2 show two stages of the same setting: superimposed photographs of stone structures are juxtaposed with a moving layer of ink in a transparent vessel placed on top. The short-lived ink structures are interwoven with stone structures that hardened long ago: present and geological times are photographically melted into one layer. <img width="1257" height="1467" width_o="1257" height_o="1467" data-src="https://freight.cargo.site/t/original/i/095654fdbcebbffae1a2e2f40577fdbf69875800b43b4006fbb2adc63b577a45/permanent_liquid_1.jpg" data-mid="27046737" border="0" src="https://freight.cargo.site/w/1000/i/095654fdbcebbffae1a2e2f40577fdbf69875800b43b4006fbb2adc63b577a45/permanent_liquid_1.jpg" /> permanent liquid_1, 2018, C-print, gerahmt / framed, 47,5 x 39 cm <img width="1257" height="1467" width_o="1257" height_o="1467" data-src="https://freight.cargo.site/t/original/i/ed390bddaaaa6dace16ac18b063510e29db5aa768253932213e2ff70cfd09318/permanent_liquid_2.jpg" data-mid="27046736" border="0" src="https://freight.cargo.site/w/1000/i/ed390bddaaaa6dace16ac18b063510e29db5aa768253932213e2ff70cfd09318/permanent_liquid_2.jpg" /> permanent liquid_2, 2018, C-print, gerahmt / framed, 71,8 x 59,4 cm <img width="1433" height="1075" width_o="1433" height_o="1075" data-src="https://freight.cargo.site/t/original/i/27c4bceffbf210399c7a82ab8d847e1374973abae2d75275b8749a67d257931d/1803-Schwarz-Contemporary41734-photodef_imageweb.jpg" data-mid="27046735" border="0" src="https://freight.cargo.site/w/1000/i/27c4bceffbf210399c7a82ab8d847e1374973abae2d75275b8749a67d257931d/1803-Schwarz-Contemporary41734-photodef_imageweb.jpg" /> melting time, 2018, seven C-prints, gerahmt / framed, je / each: 31,2 x 40 cm melting time: Die siebenteilige Serie dokumentiert den Schmelzprozess einer Eisskulptur in einer Fotoentwicklerschale. Die Skulptur besteht aus einem Zifferblatt aus schwarzer Tinte, welches von gefrorenem Wasser eingeschlossen ist. Immer wenn eine signifikante visuelle Veränderung eingetreten ist, wurde ein Bild gemacht. Zwischen dem ersten und dem sechsten Bild liegen ungefähr acht Stunden, zwischen dem vorletzten und dem letzten Bild eine ganze Nacht. Insgesamt erstreckt sich die Serie über circa 24 Stunden. The seven part series melting time documents the melting process of an ice sculpture in a developing tray. The sculpture depicts a time piece made from black ink, surrounded by frozen water. Whenever a significant visual change occurred, a photograph was taken. Image one to six show about eight hours. Between image six and seven lies another night. The entire work spans about 24 hours. <img width="1433" height="1098" width_o="1433" height_o="1098" data-src="https://freight.cargo.site/t/original/i/5fe740eeef71afe4eb85c2fe7742f3de939e4fca8ea5bfbb4768489437316d56/DSC_7846_cropped_1web.jpg" data-mid="27046734" border="0" src="https://freight.cargo.site/w/1000/i/5fe740eeef71afe4eb85c2fe7742f3de939e4fca8ea5bfbb4768489437316d56/DSC_7846_cropped_1web.jpg" />melting time, 2018, Bild / image 1 <img width="1433" height="1097" width_o="1433" height_o="1097" data-src="https://freight.cargo.site/t/original/i/1e444c900359a83c244b3f7d38b9d638fe171af4bf840548477fe7780733b29e/DSC_7848_cropped_2web.jpg" data-mid="27046733" border="0" src="https://freight.cargo.site/w/1000/i/1e444c900359a83c244b3f7d38b9d638fe171af4bf840548477fe7780733b29e/DSC_7848_cropped_2web.jpg" />melting time, 2018, Bild / image 3<img width="1433" height="1097" width_o="1433" height_o="1097" data-src="https://freight.cargo.site/t/original/i/4edff7719e1ab88fb3bf2cc351d1c4bfbef56a100d421e7f8188f0b0b8767b4a/DSC_7851_cropped_3web.jpg" data-mid="27046732" border="0" src="https://freight.cargo.site/w/1000/i/4edff7719e1ab88fb3bf2cc351d1c4bfbef56a100d421e7f8188f0b0b8767b4a/DSC_7851_cropped_3web.jpg" />melting time, 2018, Bild / image 6<img width="1433" height="1097" width_o="1433" height_o="1097" data-src="https://freight.cargo.site/t/original/i/cea043a653496795da02fb3e71fc681fbcb035be5ec9933b5ecaf65a3f2930e9/DSC_7852_croppedweb.jpg" data-mid="27046731" border="0" src="https://freight.cargo.site/w/1000/i/cea043a653496795da02fb3e71fc681fbcb035be5ec9933b5ecaf65a3f2930e9/DSC_7852_croppedweb.jpg" />melting time, 2018, Bild / image 7 »Muster Raum« Façade – Face – Fake – Faktat SCHINKEL BAUAKADEMIE, Berlin 2018 <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/3e6429e5b3d3968f3de6224c70af606d8774a5171b78b71abea8ea3856a14e28/checkerboard_sky_1web.jpg" data-mid="27046730" border="0" src="https://freight.cargo.site/w/1000/i/3e6429e5b3d3968f3de6224c70af606d8774a5171b78b71abea8ea3856a14e28/checkerboard_sky_1web.jpg" />checkerboard sky, 2018, Emulsionstransfer auf Beton / emulsion transfer on concrete, 32-teilig / 32 parts, je / each: 38 x 38 x 5 cm Die Bodenarbeit zeigt eine Fotografie des Himmels in einer Schachbrettanordnung (die Hälfte der Felder bleiben leer). Dabei spielt sie mit dem Gegensatz zwischen dem flüchtigen Bildinhalt und der Schwere des Materials Beton einerseits und dem Abbild organischer Formen in einem geometrischen Muster andererseits. The floor piece shows a photograph of the sky in a checkerboard pattern (with half the fields empty). It plays with the antagonism of an ephemeral image content on such heavy material as concrete on the one hand, and with an organic shape contained in a geometrical grid on the other hand. <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/ef52737ec74d97abacfd37e56d7bf9f490005ebbfe8e7a43184d7345ccf6a9c0/checkerboars_sky_detailweb.jpg" data-mid="27046729" border="0" src="https://freight.cargo.site/w/1000/i/ef52737ec74d97abacfd37e56d7bf9f490005ebbfe8e7a43184d7345ccf6a9c0/checkerboars_sky_detailweb.jpg" /> black sunat PLAYGROUND, &nbsp;London 2017 <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/18c09885b287768de586cb0bdf8e34f418a8b67019652c88a2e6026332b5b2d4/black_sun_2web.jpg" data-mid="27046728" border="0" src="https://freight.cargo.site/w/1000/i/18c09885b287768de586cb0bdf8e34f418a8b67019652c88a2e6026332b5b2d4/black_sun_2web.jpg" /> <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/e2024b1a86385ebce9e031ea55199c62d379768e12fc83b5959bae3399a5fe9e/black_sun_1web.jpg" data-mid="27046727" border="0" src="https://freight.cargo.site/w/1000/i/e2024b1a86385ebce9e031ea55199c62d379768e12fc83b5959bae3399a5fe9e/black_sun_1web.jpg" />Die Galerie wurde in einen Leuchtkasten verwandelt, auf dem eine ‚Nachtsonne’ gezeigt wird. Das Motiv ist das Negativ eines tagsüber gemachten Fotos der Sonne. Die Nacht könnte das Negativ des Tages sein.In dem dazugehörigen Heftchen sieht man die Verwandlung vom Positiv zum Negativ (siehe nächste zwei Seiten). The gallery has been turned into a lightbox. The negative of a sun photograph taken during the day is displayed nightly, a black sun shining at night. The night could be the negative of the day. The booklet shows the photographic transformation from positive to negative (see the next two pages). <img width="1102" height="1129" width_o="1102" height_o="1129" data-src="https://freight.cargo.site/t/original/i/e23edd3b44ab5c83ebec920458d0d6ed8920f6e02d9cd004d3348c498586959a/jjblacksunheftchenweb1.jpg" data-mid="27046726" border="0" src="https://freight.cargo.site/w/1000/i/e23edd3b44ab5c83ebec920458d0d6ed8920f6e02d9cd004d3348c498586959a/jjblacksunheftchenweb1.jpg" /> andere situationat MUSEUM FÜR PHOTOGRAPHIE, &nbsp;Braunschweig 2017 <img width="1433" height="957" width_o="1433" height_o="957" data-src="https://freight.cargo.site/t/original/i/229f6849b3363d65f54ecf6560b71674cce86ce44c4ad249bcebea9781e9898b/DSC_7480_bearbweb.jpg" data-mid="27046725" border="0" src="https://freight.cargo.site/w/1000/i/229f6849b3363d65f54ecf6560b71674cce86ce44c4ad249bcebea9781e9898b/DSC_7480_bearbweb.jpg" /><img width="1433" height="957" width_o="1433" height_o="957" data-src="https://freight.cargo.site/t/original/i/65d54bbf131b0e46fecdcd9b58e9593a0d1b5742d28764f22c3c757b8a007079/DSC_7495_bearbweb.jpg" data-mid="27046724" border="0" src="https://freight.cargo.site/w/1000/i/65d54bbf131b0e46fecdcd9b58e9593a0d1b5742d28764f22c3c757b8a007079/DSC_7495_bearbweb.jpg" /> photochromic sun, 2017, Jalousien, beschichtet mit photochromem Pigment (blau &amp; gelb, reversibel) / Venetian blinds, tinted with photochromic pigments (reversible yellow &amp; blue), je / each: 195 x 100 cm Die Jalousien in diesem Raum wurden mit reversiblen fotochromen Pigmenten beschichtet. Dies sind Pigmente, die unter der Einwirkung von UV-Licht eine Farbe annehmen und bei Ende des Lichteinfalls wieder transparent werden. In Anlehnung an die in der analogen Fotografie präsenten Farben des Lichts ist eine Jalousie in zartem Gelb und die andere in zartem Blau beschichtet. Durch den komplementären Lichteinfall entsteht eine neue Lichtsituation. A layer of reversible photochromic pigments has been added to the Venetian blinds in this room, so that one of the blinds gets a yellow tint when sunlight is hitting its surface. The other one gets a blue tint. The complementary colors create a new light situation in the room. This work is invisible whitout sunlight. <img width="1433" height="957" width_o="1433" height_o="957" data-src="https://freight.cargo.site/t/original/i/7fa4a9419081fdcaf56230122de669763b9577b246e19d018bbc10fb85b128b1/DSC_7489_bearbweb.jpg" data-mid="27046723" border="0" src="https://freight.cargo.site/w/1000/i/7fa4a9419081fdcaf56230122de669763b9577b246e19d018bbc10fb85b128b1/DSC_7489_bearbweb.jpg" /><img width="1433" height="957" width_o="1433" height_o="957" data-src="https://freight.cargo.site/t/original/i/455e50cddd6f21d6b921d1b87a16af8fb618bd92458212af5d0dd3ee2aa74aa2/DSC_7513_bearbweb.jpg" data-mid="27046722" border="0" src="https://freight.cargo.site/w/1000/i/455e50cddd6f21d6b921d1b87a16af8fb618bd92458212af5d0dd3ee2aa74aa2/DSC_7513_bearbweb.jpg" />color finder, 2017, 6 C-prints, gerahmt / framed, je, each: 44 x 36 cm <img width="1433" height="957" width_o="1433" height_o="957" data-src="https://freight.cargo.site/t/original/i/dd0167b5d5dd9071ef298464b5a41a1847393ad9de5be2cd85a1708cf26a9a2c/color_finder_gesamt.jpg" data-mid="27046721" border="0" src="https://freight.cargo.site/w/1000/i/dd0167b5d5dd9071ef298464b5a41a1847393ad9de5be2cd85a1708cf26a9a2c/color_finder_gesamt.jpg" />Die sechsteilige Serie color finder steht in Korrespondenz zu dem von den beschichteten Jalousien erzeugten Licht. Protagonist der Serie ist ein zum Messen von Farbtemperaturen entwickelter Belichtungs-messer aus den 1950er Jahren. Während der Körper des Belichtungsmessers in allen Bildern die gleiche Position einnimmt, windet sich seine Kette in unterschiedlichen Positionen. Es handelt sich um in der Farbdunkelkammer eingefärbte schwarz-weiß Fotografien, die in Abstufungen einen Verlauf von Gelb nach Blau darstellen. The six-part series corresponds with the light that is created by the photochromic blinds in the same room. The motif of the series is a photographic light-meter, designed in the 1950 to measure light-color. While the meter’s body stays in the same position throughout the six images, its chain is changing position in every image. The black and white photographs were printed in the color darkroom, representing a gradient from yellow to blue. <img width="1433" height="1765" width_o="1433" height_o="1765" data-src="https://freight.cargo.site/t/original/i/278da4a20a718c0bdd94253a28ae23eed6f372db3c9b9cb076da4b9d65c16ab9/color_finder_detail.jpg" data-mid="27046720" border="0" src="https://freight.cargo.site/w/1000/i/278da4a20a718c0bdd94253a28ae23eed6f372db3c9b9cb076da4b9d65c16ab9/color_finder_detail.jpg" /> color finder, Bild 3 <img width="1433" height="957" width_o="1433" height_o="957" data-src="https://freight.cargo.site/t/original/i/6492480d2a74c45f3d0f77e81ba411104bad416be928a6f71f333f039e9b3e07/DSC_7586_bearbweb.jpg" data-mid="27046719" border="0" src="https://freight.cargo.site/w/1000/i/6492480d2a74c45f3d0f77e81ba411104bad416be928a6f71f333f039e9b3e07/DSC_7586_bearbweb.jpg" /> photography &amp; gravity, 2016, 4 C-Prints, gerahmt / framed, je / each : 41 x 32 cm Ein Tropfen schwarzer Tinte verteilt sich in einem Wasserglas. Währendessen kippt das Glas - scheinbar. While a drop of black ink disperses in a water glass, the glass is seemingly tipping tilted wall, schräges Wandelement / tilted wall element, 435 x 307 x 155 cm Die in der Serie photography &amp; gravity sichtbare Schräge wird durch eine diese Schräge weiterführende Wand in den Raum übertragen. The slant in the images of photography &amp; gravity is extended into the room through a tilted wall. infinite releaseat SCHWARZ CONTEMPORARY, Berlin 2016 <img width="1433" height="957" width_o="1433" height_o="957" data-src="https://freight.cargo.site/t/original/i/e4bbca68027217897d078418ec494542fcdc6eb7ed9ecca3536713083a1feba3/Untitled_4web.jpg" data-mid="27046718" border="0" src="https://freight.cargo.site/w/1000/i/e4bbca68027217897d078418ec494542fcdc6eb7ed9ecca3536713083a1feba3/Untitled_4web.jpg" /> untitled, 2016, C-Print, gerahmt / framed, 59 x 71 cm <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/9801deeb38f82914c00f0bc8026392c27223dd8816e0488c0e37be7c84e18660/1604-Schwarz-Contemporary12922-photo_-def-image.jpegweb.jpg" data-mid="27046717" border="0" src="https://freight.cargo.site/w/1000/i/9801deeb38f82914c00f0bc8026392c27223dd8816e0488c0e37be7c84e18660/1604-Schwarz-Contemporary12922-photo_-def-image.jpegweb.jpg" /><img width="1433" height="1911" width_o="1433" height_o="1911" data-src="https://freight.cargo.site/t/original/i/d8a9b8a841b53dce9b35f48562661c948b077ba226159b2d4f03d38829912945/1604-Schwarz-Contemporary12988-photo_-def-imageweb.jpg" data-mid="27046716" border="0" src="https://freight.cargo.site/w/1000/i/d8a9b8a841b53dce9b35f48562661c948b077ba226159b2d4f03d38829912945/1604-Schwarz-Contemporary12988-photo_-def-imageweb.jpg" />framing the horizon, 2016, Raumelemente / spatial elements, ca. 300 x 220 x 180 cm Die beiden Raumelemente bilden eine physische Schleuse sowie eine visuelle Unterbrechung am größten Durchgang des Ausstellungsraumes. Ihre Maße sind den Dimensionen des Durchgangs entnommen: zusammengefügt würden sie ihn vollständig ausfüllen. framing the horizon consists of two spatial elements creating a physical detour as well as a visual interruption within the space. They are constructed according to the dimension of the largest passageway of the gallery and would - if put together - fill it completely. <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/50ae9fe080f8824c12b0cccef1f0468ef45e67628275bfc5045632bf62b24104/1604-Schwarz-Contemporary12929-photo_-def-image.jpegweb.jpg" data-mid="27046715" border="0" src="https://freight.cargo.site/w/1000/i/50ae9fe080f8824c12b0cccef1f0468ef45e67628275bfc5045632bf62b24104/1604-Schwarz-Contemporary12929-photo_-def-image.jpegweb.jpg" />framing the horizon / photography &amp; gravity, 2016, Raumelemente / spatial elements, 4 C-Prints, 400 x 220 x 180 cm <img width="1433" height="957" width_o="1433" height_o="957" data-src="https://freight.cargo.site/t/original/i/507b30eaf7962b647475f69229090cf8652dfe506a6206ba24d7a4fc15bfb58e/photography_and_gravity_1web.jpg" data-mid="27046714" border="0" src="https://freight.cargo.site/w/1000/i/507b30eaf7962b647475f69229090cf8652dfe506a6206ba24d7a4fc15bfb58e/photography_and_gravity_1web.jpg" />photography &amp; gravity, 2016, 4 C-Prints gerahmt / framed, je / each: 41 x 32 cm Ein Tropfen schwarzer Tinte verteilt sich in einem Wasserglas. Währendessen kippt das Glas - scheinbar. While a drop of black ink disperses in a water glass, the glass is seemingly tipping. <img width="1433" height="957" width_o="1433" height_o="957" data-src="https://freight.cargo.site/t/original/i/c004a1046d3bb3da05a00f541bece794a17bb7b851668e57a6be7d89c18e3c10/white_light_1web.jpg" data-mid="27046713" border="0" src="https://freight.cargo.site/w/1000/i/c004a1046d3bb3da05a00f541bece794a17bb7b851668e57a6be7d89c18e3c10/white_light_1web.jpg" />white light, 2016, C-Print, gerahmt / framed, 33,5 x 28,5 cm Der im Fotolabor neutral gefilterte Lichtkegel einer Lampe führt zu einem blauen Bild (da das fotografierte Kunstlicht gelb ist). Dadurch wird die Divergenz zwischen der wahrgenommenen und der gemessenen Lichttemperatur sichtbar. The light of the lamp in the image is filtered neutral in the darkroom printing process. And since artificial light is yellow, ‘neutral’ leads to a blue image. The photograph refers to the difference between perceived and actual light temperature. <img width="1433" height="957" width_o="1433" height_o="957" data-src="https://freight.cargo.site/t/original/i/0112e2f13725c43e1edcbfaffedf600539b5cd4af9aef7748caf692dce073777/205_hudson_studio_floorweb.jpg" data-mid="27046712" border="0" src="https://freight.cargo.site/w/1000/i/0112e2f13725c43e1edcbfaffedf600539b5cd4af9aef7748caf692dce073777/205_hudson_studio_floorweb.jpg" />205 hudson studio floor (corner), 2016, Emulsionstransfer auf Beton / emulsion transfer on concrete, 70 x 107 x 5 cm Ein Foto meines New Yorker Atelierbodens, auf Beton übertragen: als an den Ausstellungsraum angepasstes ‘Betonfoto’ eines Betonbodens. A photograph of the concrete floor of my New York studio has been transferred on concrete:&nbsp; a concrete photograph of a concrete floor molded to fit the gallery space. <img width="1433" height="1075" width_o="1433" height_o="1075" data-src="https://freight.cargo.site/t/original/i/637a6f20aef9f5a8fed7eeb3fbb3455656112eabb4b63455b85290c00e1118bd/1604-Schwarz-Contemporary13023-photo_-def-imageweb.jpg" data-mid="27046711" border="0" src="https://freight.cargo.site/w/1000/i/637a6f20aef9f5a8fed7eeb3fbb3455656112eabb4b63455b85290c00e1118bd/1604-Schwarz-Contemporary13023-photo_-def-imageweb.jpg" /> <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/54899824ed1165d7cf4aca5c03e2ba7ad600d85c3dabdef37a585ede952f3168/1604-Schwarz-Contemporary12961-photo_-def-image.jpegweb.jpg" data-mid="27046710" border="0" src="https://freight.cargo.site/w/1000/i/54899824ed1165d7cf4aca5c03e2ba7ad600d85c3dabdef37a585ede952f3168/1604-Schwarz-Contemporary12961-photo_-def-image.jpegweb.jpg" /> <img width="1433" height="314" width_o="1433" height_o="314" data-src="https://freight.cargo.site/t/original/i/5dbd154e653d4b27944c53d4bdebb25658fd5e5ce6b6b8965965de1a4e741d9d/time_implant_3.jpg" data-mid="27046709" border="0" src="https://freight.cargo.site/w/1000/i/5dbd154e653d4b27944c53d4bdebb25658fd5e5ce6b6b8965965de1a4e741d9d/time_implant_3.jpg" />n.t. (time implant), 2016, hinter der Wand installiertes Uhrwerk, Sekundenzeiger/ clockwork - installed behind the wall, second hand, 19 x 1 x 1 mm Ein Sekundenzeiger in Armbanduhrgröße (19mm lang und &lt;1mm breit) tickt auf einer Wand. Das Uhrwerk ist hinter der Wand installiert und unsichtbar. Aufgrund seiner Größe kann das Ticken der Zeit leicht übersehen werden. A second hand in wrist watch size&nbsp; (19mm in length and &lt;1mm in width) is ticking on a wall. The clockwork is implanted in the wall and invisible. The implant can easily be overlooked due to it’s size. <img width="1433" height="1075" width_o="1433" height_o="1075" data-src="https://freight.cargo.site/t/original/i/b99088cb55284fbba8ddbaf5ace194203aab5bd7794467ba9279b1274de91efe/1604-Schwarz-Contemporary13048-photo_-def-image.jpg" data-mid="27046708" border="0" src="https://freight.cargo.site/w/1000/i/b99088cb55284fbba8ddbaf5ace194203aab5bd7794467ba9279b1274de91efe/1604-Schwarz-Contemporary13048-photo_-def-image.jpg" /> blue sun, yellow sky, 2016, 2 C-Prints, gerahmt / framed, je / each: 74 x 100 cm Die Temperatur von Sonnenlicht empfinden wir als warm und freundlich, doch die physikalische Messung der Lichttemperatur (5500 Kelvin) zeigt: es ist es blau / kalt. Das Diptychon zeigt eine Umkehrung dieser Wahrnehmung: eine blaue Sonne und einen gelben Himmel. &nbsp; The temperature of sunlight is perceived as warm and friendly, but the measurement of its light temperature (5500 Kelvin) shows the opposite: it is blue / cold. The diptych shows an inversion of this perception: a blue sun and a yellow sky. horizontal questions, circular repliesat Galeria STARTER, Warsaw 2016 <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/1e69c5dda03aa9f69ed79ed28510716cc994cfd0d3734a21937496d941a21d22/marikaweb.jpg" data-mid="27046707" border="0" src="https://freight.cargo.site/w/1000/i/1e69c5dda03aa9f69ed79ed28510716cc994cfd0d3734a21937496d941a21d22/marikaweb.jpg" /> horizontal questions, circular replies, 2016, auf die Wand kaschierter Blueback Print / Blueback Print mounted to the wall, 438 x 100 x 180 cm Ein Print eines Lichtverlaufs (eine Fotografie des Himmels ohne Horizont, gemacht aus meinem Atelierfenster) überspannt die Breite der zentralen Wand des Ausstellungsraumes. Der untere Teil der Wand wurde weiter vorne im Raum nachgebaut und mit dem zweiten Teil des Bildes bespielt, so dass eine Schleusensituation entsteht: der Betrachter muss ‘durch das Bild laufen’ um in den hinteren Ausstellungsraum zu gelangen. An image of a light gradient (a photograph of the sky, taken from my studio window) stretches over the width of the central wall in the gallery space. The lower part of the wall has been rebuilt in front of the original and carries the second part of the photograph, so that the viewer has to walk ‘through the image’ in order to get to the second room of the gallery. <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/ee2ea14ca77463e4f5905db63ffe7977b9cfa1fb945d27c6af9fdca5f7b5fda1/vorderer_raum_schrag.jpg" data-mid="27046706" border="0" src="https://freight.cargo.site/w/1000/i/ee2ea14ca77463e4f5905db63ffe7977b9cfa1fb945d27c6af9fdca5f7b5fda1/vorderer_raum_schrag.jpg" /><img width="1433" height="951" width_o="1433" height_o="951" data-src="https://freight.cargo.site/t/original/i/a279cacc797ed42015be41b51bfc30f125c7670e54c8a62e6b17b7e9136dc708/yellow_sky_nfweb.jpg" data-mid="27046705" border="0" src="https://freight.cargo.site/w/1000/i/a279cacc797ed42015be41b51bfc30f125c7670e54c8a62e6b17b7e9136dc708/yellow_sky_nfweb.jpg" />blue sun, yellow sky, 2016, zweiseitige Fotografie / double-sided photograph: C-Prints auf Holz / on wood, 74 x 100 x 3 cm <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/b3348366674df88941e16a211b1c22d7daa32c8fa00f08276967abf15c19b5cb/2.jpg" data-mid="27046704" border="0" src="https://freight.cargo.site/w/1000/i/b3348366674df88941e16a211b1c22d7daa32c8fa00f08276967abf15c19b5cb/2.jpg" /><img width="1433" height="957" width_o="1433" height_o="957" data-src="https://freight.cargo.site/t/original/i/80df35c531e595b6eefe3a3503d93910dd6dcdeb36564c7f3568926be9f23522/kugel_closeweb.jpg" data-mid="27046703" border="0" src="https://freight.cargo.site/w/1000/i/80df35c531e595b6eefe3a3503d93910dd6dcdeb36564c7f3568926be9f23522/kugel_closeweb.jpg" /> circular horizon, 2016, C-Print, Tischbock / saw horse, Edelstahlkugel / stainless steel ball&nbsp; 178 x 126 x 65 cm Eine polierte Edelstahlkugel - in der sich der komplette Raum spiegelt - balanciert auf einem Tischbock. Letzerer ist in klassischer Fotostudiomanier vor einem (händisch in der Dunkelkammer hergestellten) Hintergrund mit Farbverlauf aufgestellt. A polished stainless steel ball is balancing on top of a saw horse. The entire room is mirrored in the balls’ surface. The saw horse is set up in front of a gradient back drop, in classical studio photography fashion. The gradient is hand-printed in the darkroom. <img width="1433" height="957" width_o="1433" height_o="957" data-src="https://freight.cargo.site/t/original/i/4c3ecd81b977c12e076870f3244df1631d9c6f6c0dff378e34187f78b156e883/hinterer_raum_links_1_nf.jpg" data-mid="27046702" border="0" src="https://freight.cargo.site/w/1000/i/4c3ecd81b977c12e076870f3244df1631d9c6f6c0dff378e34187f78b156e883/hinterer_raum_links_1_nf.jpg" /> <img width="1433" height="957" width_o="1433" height_o="957" data-src="https://freight.cargo.site/t/original/i/19e8e56710608d2baffbbfc0e1b6d5c595f3b06cc2b1d37d649f638b9783a2e1/w_b_nfweb.jpg" data-mid="27046701" border="0" src="https://freight.cargo.site/w/1000/i/19e8e56710608d2baffbbfc0e1b6d5c595f3b06cc2b1d37d649f638b9783a2e1/w_b_nfweb.jpg" />w/b, 2013, Archival Pigment Print, gerahmt / framed, 22,5 x 30 cm Durch die visuelle Umkehrung des Hintergrundes im Wasserglas wird ein weißer Topfen vor weißem und ein schwarzer Tropfen vor schwarzem Hintergrund sichtbar. Through the visual inversion of the background inside the water glass, a drop of white ink becomes visible in front of a white background and a drop of black ink becomes visible in front of a black background. <img width="1433" height="957" width_o="1433" height_o="957" data-src="https://freight.cargo.site/t/original/i/0c337a10d5606fb2bbca59a0d718ee76f95f8e3d3cfa57bc6a39ede798b1df36/cameras_gaze_nfweb.jpg" data-mid="27046700" border="0" src="https://freight.cargo.site/w/1000/i/0c337a10d5606fb2bbca59a0d718ee76f95f8e3d3cfa57bc6a39ede798b1df36/cameras_gaze_nfweb.jpg" />cameras gaze, 2016, C-Print auf Aluminium / on aluminum, 49,3 x 63,3 cm <img width="1433" height="803" width_o="1433" height_o="803" data-src="https://freight.cargo.site/t/original/i/f56bc9df323c810270c60a0af777c50189ec91723adc2305333d8d7ab0ae56d0/cube_in_a_tube.jpg" data-mid="27046699" border="0" src="https://freight.cargo.site/w/1000/i/f56bc9df323c810270c60a0af777c50189ec91723adc2305333d8d7ab0ae56d0/cube_in_a_tube.jpg" /> a cube in a tube, 2016, Aluminiumrohr / aluminum tube, Gipswürfel / plaster cube, 87 x 10 x 10 cm <img width="1433" height="312" width_o="1433" height_o="312" data-src="https://freight.cargo.site/t/original/i/44bf92cbc3ca4637a3b87bf281fff55ad0ff86b22f4b1c84d5e80b704cf7f010/clock_1_3.jpg" data-mid="27046698" border="0" src="https://freight.cargo.site/w/1000/i/44bf92cbc3ca4637a3b87bf281fff55ad0ff86b22f4b1c84d5e80b704cf7f010/clock_1_3.jpg" /><img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/684d43004f9fa8ea2f04c8fea8709e2c0f9216680e9947e27f4d291bccc14d68/clock.jpg" data-mid="27046697" border="0" src="https://freight.cargo.site/w/1000/i/684d43004f9fa8ea2f04c8fea8709e2c0f9216680e9947e27f4d291bccc14d68/clock.jpg" /> both ways, 2016, Uhrwerke, hinter der Wand installiert / clockworks, installed behind the wall, mit und gegen den Uhrzeigersinn laufend / going clockwise &amp; counter clockwise, Sekundenzeiger / second hands, dimension variable tilt &amp; swingat Grand Palais, Bern 2015 1,2 (tilt + swing), 2015, C-Prints auf Aludibond / on Aludibond, Holzrahmen / wooden frame, 380 x 160 x 35 cm <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/5bbc5dca8593d2a00229dca067b329e2f828cb58588e0a2de1e5a1dbf17e1dc7/seite_1.jpg" data-mid="27046696" border="0" src="https://freight.cargo.site/w/1000/i/5bbc5dca8593d2a00229dca067b329e2f828cb58588e0a2de1e5a1dbf17e1dc7/seite_1.jpg" /> <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/ad61a90ddab30dc2cc14f5b26e64429c1278407e3a8bfe392a066cc2b28776a8/seite_2.jpg" data-mid="27046695" border="0" src="https://freight.cargo.site/w/1000/i/ad61a90ddab30dc2cc14f5b26e64429c1278407e3a8bfe392a066cc2b28776a8/seite_2.jpg" /> a spatial narrativeat Plattenpalast, Berlin 2015 <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/10e0db84ba3b8686c751d59163bcb588540cb531b4869d4f5c7c257d90d291c7/pp_0_1_0web.jpg" data-mid="27046694" border="0" src="https://freight.cargo.site/w/1000/i/10e0db84ba3b8686c751d59163bcb588540cb531b4869d4f5c7c257d90d291c7/pp_0_1_0web.jpg" /><img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/65ae91ef09f28bcbeeafd6e888997871c6d4ee129abed97e10751b4d6e0916b5/pp_0_2_0web.jpg" data-mid="27046693" border="0" src="https://freight.cargo.site/w/1000/i/65ae91ef09f28bcbeeafd6e888997871c6d4ee129abed97e10751b4d6e0916b5/pp_0_2_0web.jpg" /><img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/f7b735f02a943af3a799254c86d44d321110bc56b4682d6d2649ca4e48f2ceea/pp_0_4web.jpg" data-mid="27046692" border="0" src="https://freight.cargo.site/w/1000/i/f7b735f02a943af3a799254c86d44d321110bc56b4682d6d2649ca4e48f2ceea/pp_0_4web.jpg" /><img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/82a4418d8f8873986228f09c11a576d074dc470b36b313023b26b94bd10c55b0/pp_0_5web.jpg" data-mid="27046691" border="0" src="https://freight.cargo.site/w/1000/i/82a4418d8f8873986228f09c11a576d074dc470b36b313023b26b94bd10c55b0/pp_0_5web.jpg" /><img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/735fefc863a2729131d06458b5b76a336bdc587cdeff1486d3cc438b7dfda074/pp_0_7web.jpg" data-mid="27046690" border="0" src="https://freight.cargo.site/w/1000/i/735fefc863a2729131d06458b5b76a336bdc587cdeff1486d3cc438b7dfda074/pp_0_7web.jpg" /><img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/b0b4294be2877781affd7217e9d26c88c20257d9d18080e8a3ef278ed6402447/pp_0_6web.jpg" data-mid="27046689" border="0" src="https://freight.cargo.site/w/1000/i/b0b4294be2877781affd7217e9d26c88c20257d9d18080e8a3ef278ed6402447/pp_0_6web.jpg" />Die eingebaute Wand durchteilt den Raum&nbsp; rechts und links in der Diagonale. Da nur die Rückseite der eingezogenen Wand bespielt ist, wird der Weg, den ein Betrachter zurücklegt, künstlich verlängert. In der dem Eingang näheren hinteren Kammer hängen ein belichtetes und ein unbelichtetes analoges Fotopapier (100% und 0% Licht) so gegenüber, dass sie sich gegenseitig spiegeln. In der zweiten hinteren Kammer auf der anderen Seite wird eine&nbsp; direkt auf die Wand aufgezogeneVergrößerung einer Zwischenstufe von 0% und 100 % Licht gezeigt. Dafür wurde ein belichtetes Fotopapier in den Entwickler gelegt und beim ersten Anzeichen der Verfärbung wieder herausgenommen. Die dabei entstandenen Strukturen sind keine Fotografie, sondern&nbsp; ein direktes Abbild der flüssigen Chemie, ein zufälliges Ergebnis zwischen Schwarz und Weiß. The built-in wall diagonally splits each half of the u-shaped space. As only the back side of this new wall is used for display, the viewer’s path through the space is artificially prolonged. In the first newly built space on the back side an exposed and an unexposed analog photographic paper (100% and 0% light) are facing and mirroring each other. The second space on the opposite side shows an enlarged excerpt from an exposed photo-paper that has been taken from the developer when showing first signs of darkening. Nothing has been photographed, the structure has solely been created by the liquid photochemistry. The result is a chance state of a grayscale, an in-between of the black and white displayed on the first side. <img width="1433" height="1013" width_o="1433" height_o="1013" data-src="https://freight.cargo.site/t/original/i/e797c55f96fd9af22b895f1085140ad0f1c0c4f9a77ae6320df49e7637e49ae7/booklet-1web.jpg" data-mid="27046684" border="0" src="https://freight.cargo.site/w/1000/i/e797c55f96fd9af22b895f1085140ad0f1c0c4f9a77ae6320df49e7637e49ae7/booklet-1web.jpg" /> <img width="1433" height="1013" width_o="1433" height_o="1013" data-src="https://freight.cargo.site/t/original/i/7dd930e079f866f9cc4997796cac83e34ce50d9b8f92815f65ec682c0ac7b414/booklet-5web.jpg" data-mid="27046687" border="0" src="https://freight.cargo.site/w/1000/i/7dd930e079f866f9cc4997796cac83e34ce50d9b8f92815f65ec682c0ac7b414/booklet-5web.jpg" /><img width="1433" height="1013" width_o="1433" height_o="1013" data-src="https://freight.cargo.site/t/original/i/bbb2f9837448adc0b55d601d1b0b6a2e50d2e3bc500eb81fc8d8cc119f773d02/booklet-4web.jpg" data-mid="27046686" border="0" src="https://freight.cargo.site/w/1000/i/bbb2f9837448adc0b55d601d1b0b6a2e50d2e3bc500eb81fc8d8cc119f773d02/booklet-4web.jpg" /><img width="1433" height="1013" width_o="1433" height_o="1013" data-src="https://freight.cargo.site/t/original/i/6d7e7bbb7b284fbe493b587490be08dcf6aef5ea281c77c4d19270e1414194c0/booklet-2web.jpg" data-mid="27046685" border="0" src="https://freight.cargo.site/w/1000/i/6d7e7bbb7b284fbe493b587490be08dcf6aef5ea281c77c4d19270e1414194c0/booklet-2web.jpg" /><img width="1433" height="1013" width_o="1433" height_o="1013" data-src="https://freight.cargo.site/t/original/i/e797c55f96fd9af22b895f1085140ad0f1c0c4f9a77ae6320df49e7637e49ae7/booklet-1web.jpg" data-mid="27046684" border="0" src="https://freight.cargo.site/w/1000/i/e797c55f96fd9af22b895f1085140ad0f1c0c4f9a77ae6320df49e7637e49ae7/booklet-1web.jpg" />Zusätzlich zur Installation gibt es ein Booklet mit zehn Beispielen aus der taken from the developer- Serie (ohne Motiv belichtete Fotopapiere, die im Moment der ersten Verfärbung aus dem Entwickler genommen wurden und alle in gleicher Weise behandelt wurden). In addition to the installation there is a booklet showing different examples of the taken from the developer - series: photographic papers that have all been treated the same way and where the developing process was interrupted at the first sight of change. – fictional spaceat SCHWARZ CONTEMPORARY, Berlin 2014 <img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/69d6b5b78d67bd62fe1ae6091a7c839f5f4c658d943b7eab7436ebb009ab5e32/1409-Schwarz-contemporary34599-photo_-def-image.jpg" data-mid="27046683" border="0" src="https://freight.cargo.site/w/1000/i/69d6b5b78d67bd62fe1ae6091a7c839f5f4c658d943b7eab7436ebb009ab5e32/1409-Schwarz-contemporary34599-photo_-def-image.jpg" /> <img width="1433" height="1787" width_o="1433" height_o="1787" data-src="https://freight.cargo.site/t/original/i/cb49790791b7875b3ce5b38e64ecb2aa327242b0f792e6f3c86bbd85b735db0e/n_t_tri_neu_3web.jpg" data-mid="27046682" border="0" src="https://freight.cargo.site/w/1000/i/cb49790791b7875b3ce5b38e64ecb2aa327242b0f792e6f3c86bbd85b735db0e/n_t_tri_neu_3web.jpg" />n.t. (tri), 2014, C-Print, gerahmt / framed, 46,5 x 37 cm <img width="1433" height="1173" width_o="1433" height_o="1173" data-src="https://freight.cargo.site/t/original/i/8cb0e6274ec5798c3f49030b4603b3f05d9343e34cc398eda480000a409e2ee5/n_t_lens_neu_1web.jpg" data-mid="27046681" border="0" src="https://freight.cargo.site/w/1000/i/8cb0e6274ec5798c3f49030b4603b3f05d9343e34cc398eda480000a409e2ee5/n_t_lens_neu_1web.jpg" />n.t. (lens), 2014, C-Print, gerahmt / framed, 58,5 x 70,5 cm Entgegen der normalen ‘Richtung des Fotografierens’, dem Blick durch die Linse in die Landschaft, schaut man hier in die Linse in eine kleine ‘Landschaft’: eine Spiegelung meines New Yorker Atelierfensters, die ihre Farbigkeit durch den Schliff und die Qualität der Objektivgläser erhält. n.t.(lens) inverses the natural direction of photography (through the lens into the landscape) by providing a view into the lens, into a little landscape: a reflection of the window of my New York studio that appears in colors determined by the shape and quality of the lens glass. <img width="1433" height="1816" width_o="1433" height_o="1816" data-src="https://freight.cargo.site/t/original/i/e5451d10dc5bff6cac4f3a9a3482cbf516d434c58b1c056f23cdb2607586ddef/umbrella_ohne_rahmenweb.jpg" data-mid="27046680" border="0" src="https://freight.cargo.site/w/1000/i/e5451d10dc5bff6cac4f3a9a3482cbf516d434c58b1c056f23cdb2607586ddef/umbrella_ohne_rahmenweb.jpg" />n.t. (umbrella), 2014, C-Print, gerahmt / framed, 34 x 27 cm Die Funktion von Licht unterlaufend, wurde hier ein von einer Fotolampe hell erleuchteter Raum durch Experimente mit der Belichtungszeit ‘dunkel fotografiert’. Am Ende ist nur noch die Unterseite des Reflektorschirms der Lampe zu sehen. Undermining the function of light in photography, a space brightly lit by a photo lamp has been ‘photographed dark’ through experiments with the exposure time. The space disappears entirely and only the bottom side of the lamp’s reflector umbrella stays visible. <img width="1433" height="1142" width_o="1433" height_o="1142" data-src="https://freight.cargo.site/t/original/i/40d75c3b0c8511852f365ebb2797d16b9991c237b68839636b1222e06794a508/viewfinder_neu_1web.jpg" data-mid="27046679" border="0" src="https://freight.cargo.site/w/1000/i/40d75c3b0c8511852f365ebb2797d16b9991c237b68839636b1222e06794a508/viewfinder_neu_1web.jpg" />viewfinder, 2014, C-Print auf eloxiertem Aluminium / mounted on anodized aluminum, 66,5 x 84,5 cm <img width="1433" height="1911" width_o="1433" height_o="1911" data-src="https://freight.cargo.site/t/original/i/dffdb61c62f6f6c6148f58cbeb07211977b0741ffef803046230b440888632fe/IMG_4282_bearb_1.jpg" data-mid="27046678" border="0" src="https://freight.cargo.site/w/1000/i/dffdb61c62f6f6c6148f58cbeb07211977b0741ffef803046230b440888632fe/IMG_4282_bearb_1.jpg" />Quader (geteilt), 2014, Gips, Pigmente / plaster, pigments, zweiteilig, je / two parts, each: 80 x 100 x 12,5 cm Ein in der räumlichem Diagonale geteilter Quader ergibt zwei Teile. Einmal schwarz und einmal weiß pigmentiert werden die Teile hier getrennt präsentiert und können vom Betrachter gedanklich wieder zusammengesetzt werden. A cuboid is split in two parts along its spatial diagonal. The two resulting pieces are presented separately, one of them black and the other one white. Like two pieces of a puzzle, they can be put together again in the viewer’s head. <img width="1433" height="1150" width_o="1433" height_o="1150" data-src="https://freight.cargo.site/t/original/i/892b7731725fb05a81913def739e7d7eb9de5dc3628feaa4b29d54d0905c7d7e/Blaue-Stundeweb.jpg" data-mid="27046677" border="0" src="https://freight.cargo.site/w/1000/i/892b7731725fb05a81913def739e7d7eb9de5dc3628feaa4b29d54d0905c7d7e/Blaue-Stundeweb.jpg" />Blaue Stunde, 2014, C-Print auf eloxiertem Aluminium /mounted on anodized aluminum, 69,5 x 86,5 cm Die blaue Farbe des Bildes ist durch Filter im Farbfotolabor hergestellt und imitiert die Farbe des New Yorker Himmels zur Blauen Stunde. Das Foto ist während der Dämmerung entstanden, da die Nägel in der Atelierwand das letzte Tageslicht dann so stark reflektieren, dass sie scheinbar glühen. Die Nägel sind Platzhalter für mögliche Bilder und gleichzeitig selbst Bild. The blue color of the print has been artificially created through filters in the darkroom in reference to the color of&nbsp; the New York sky in the hour of dusk. Just before darkness is also the time when the photograph of the two nails on the (white) studio wall has been taken, as they were seemingly glowing while reflecting the last day-light. The nails are placeholders for possible images while being the image themselves. <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/a13ddb1d318e1df6462a1321e40b9df0846c8c337be0d94b04c54777d200ac31/1409-Schwarz-contemporary34606-photo_-def-image.jpg" data-mid="27046676" border="0" src="https://freight.cargo.site/w/1000/i/a13ddb1d318e1df6462a1321e40b9df0846c8c337be0d94b04c54777d200ac31/1409-Schwarz-contemporary34606-photo_-def-image.jpg" /> <img width="1433" height="1105" width_o="1433" height_o="1105" data-src="https://freight.cargo.site/t/original/i/3dd3549eeff69556c71224a4c4a5adfe597ee6bde55ff8ed322937b1fb999fbb/release.jpg" data-mid="27046675" border="0" src="https://freight.cargo.site/w/1000/i/3dd3549eeff69556c71224a4c4a5adfe597ee6bde55ff8ed322937b1fb999fbb/release.jpg" />release, 2013, Archival Pigment Prints, gerahmt / framed, sechsteilig, je / six parts, each: 24 x 33 cm<img width="1433" height="1075" width_o="1433" height_o="1075" data-src="https://freight.cargo.site/t/original/i/af52ccddb59c4c61ba4a8754411d4353e033a02823a4a293adafc5c633a8816d/1409-Schwarz-contemporary34644-photo_-def-image.jpg" data-mid="27046674" border="0" src="https://freight.cargo.site/w/1000/i/af52ccddb59c4c61ba4a8754411d4353e033a02823a4a293adafc5c633a8816d/1409-Schwarz-contemporary34644-photo_-def-image.jpg" />studio reflection (green, blue, warm tones - trees, sky, interior), 2014, C-Print auf eloxiertem Aluminium / mounted on anodized aluminum, 115 x 200 cm Die Fotografie zeigt eine Reflektion des Ateliers in einer Aluminiumplatte. Wie im Titel beschrieben werden charakteristische Elemente des Raumes abstrahiert als Farbspektrum abgebildet. Bei naher Betrachtung ist die Materialität des Fotografierten anhand von Kratzern im Metall erkennbar. Zur Präsentation ist die Fotografie wiederum auf eine Aluminiumplatte aufgezogen, so dass das Ausgangsmaterial zugleich Endträgermaterial ist. The photograph shows a reflection of the studio in an aluminum plate. As described in the title the different colors of the gradient abstractly represent the characteristics of the space (such as trees and sky outside the windows and furniture and tools inside). At proximity the materiality of the photographed becomes recognisable through scratches visible in the metal’s surface. Finally, the photograph is mounted on aluminum to be displayed, so that the source material is also the carrier in the end. art jamat Platform, Brooklyn NY 2014 Die Ausstellung ist in Zusammenarbeit mit dem Musiker und Komponisten Adam Cuthbért entstanden. Auszüge aus einem Emailaustasch zwischen den Künstlern sind die Grundlage der zentralen Wandarbeit. Jedem dieser Sätze, die beide künstlerische Positionen beschreiben, wurde eine visuelle und eine Audioarbeit zugeordnet. The exhibition is a collaboration with composer Adam Cuthbért. Excerpts from an email exchange between the artists form the heart of the show and are presented as a wall-piece. There is a visual and an audio work relating to each of the walltext sentences. <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/2242fc45d6aec64313b698e221f89a846918bdc420723d317185a9b38013d1c7/JJaeger_02web.jpg" data-mid="27046673" border="0" src="https://freight.cargo.site/w/1000/i/2242fc45d6aec64313b698e221f89a846918bdc420723d317185a9b38013d1c7/JJaeger_02web.jpg" /><img width="1433" height="1089" width_o="1433" height_o="1089" data-src="https://freight.cargo.site/t/original/i/21251c4e81c5af11bec2f3ce730c253b05e15c7b1711d89d31c36b214fa5d387/camera_cassette003_bearb.jpg" data-mid="27046672" border="0" src="https://freight.cargo.site/w/1000/i/21251c4e81c5af11bec2f3ce730c253b05e15c7b1711d89d31c36b214fa5d387/camera_cassette003_bearb.jpg" /> camera / cassette, 2014, B/W-Print, gerahmt / framed, 23 x 28 inches <img width="1433" height="2147" width_o="1433" height_o="2147" data-src="https://freight.cargo.site/t/original/i/95d0dbc759a728bb16cdfa6332487ed55099bddbd47320a65482469caf0d0b8b/JJaeger_12web.jpg" data-mid="27046671" border="0" src="https://freight.cargo.site/w/1000/i/95d0dbc759a728bb16cdfa6332487ed55099bddbd47320a65482469caf0d0b8b/JJaeger_12web.jpg" /><img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/1641a1685a1c42a20d019770e8284115928b07d416a7242daf2e0bacb2e5c6bf/JJaeger_13web.jpg" data-mid="27046670" border="0" src="https://freight.cargo.site/w/1000/i/1641a1685a1c42a20d019770e8284115928b07d416a7242daf2e0bacb2e5c6bf/JJaeger_13web.jpg" /><img width="1433" height="1107" width_o="1433" height_o="1107" data-src="https://freight.cargo.site/t/original/i/5791925a669d8f2865826595e87a0c3e33cd8756a725d5078d2b760fa5f3c3ad/chanceweb.jpg" data-mid="27046669" border="0" src="https://freight.cargo.site/w/1000/i/5791925a669d8f2865826595e87a0c3e33cd8756a725d5078d2b760fa5f3c3ad/chanceweb.jpg" /> A fictional sense of space, 2014, Archival Pigment Print auf Karton / on museum board, 8 x 10 inches In einer Raumecke fotografierte Ellipsen erscheinen durch die Objektivverzerrung als Punkte und kreieren einen ‘fiktionalen Raum’. Das Bild ist zweimal, gespiegelt und s/w und farbig neben einem gepunkteten Würfel präsentiert. Elliptical shapes in the corner of a room are photographed and appear as dots through the distortion of the camera’s lens. The image establishes a space that is ‘fictional’. The photograph is presented twice, once mirrored and in grayscale and once in color, with a dotted die next to it. <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/586ea618fbae14f838bfff8133714c16a00e5fd1c2df579d1de1552383ad7ec7/JJaeger_05web.jpg" data-mid="27046668" border="0" src="https://freight.cargo.site/w/1000/i/586ea618fbae14f838bfff8133714c16a00e5fd1c2df579d1de1552383ad7ec7/JJaeger_05web.jpg" /><img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/2fa2ba39b01c037e907ea01039ca0705f96bdcb50f6448eefeefd0df3f8dcc72/JJaeger_06web.jpg" data-mid="27046667" border="0" src="https://freight.cargo.site/w/1000/i/2fa2ba39b01c037e907ea01039ca0705f96bdcb50f6448eefeefd0df3f8dcc72/JJaeger_06web.jpg" />Gmx to Gmail / Gmail to Gmx, 2014, Auszüge aus Emails der Künstler / excerpts from an email exchange between the artists, Wandtext / wall-text, 10 x 20 feet <img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/04f773ac504396e773aa917d447fed5eb04aef6d1ed1cbcdbfda93d9212e7bf3/JJaeger_03v1web.jpg" data-mid="27046666" border="0" src="https://freight.cargo.site/w/1000/i/04f773ac504396e773aa917d447fed5eb04aef6d1ed1cbcdbfda93d9212e7bf3/JJaeger_03v1web.jpg" /><img width="1433" height="956" width_o="1433" height_o="956" data-src="https://freight.cargo.site/t/original/i/52e38b104abbff934d7944b459f366abaea3317a246e8a2a738bebdf90f828c7/JJaeger_04web.jpg" data-mid="27046665" border="0" src="https://freight.cargo.site/w/1000/i/52e38b104abbff934d7944b459f366abaea3317a246e8a2a738bebdf90f828c7/JJaeger_04web.jpg" /> hudson river, 2014, 16 Archival Pigment Prints auf Aluminium / on aluminum, dimension variable, ca. 34 cm x 43 cm x 6 m Auf Aluminium aufgezogene Fotografien, die 16 Sekunden der Oberfläche des Hudson River zeigen sind zu einer Skulptur zusammengefügt, die sich formal an die fließende Bewegung des Wassers anlehnt. Auf der Rückseite spiegelt sich der Raum in der Oberfläche des gebürsteten Aluminiums. Pictures of 16 seconds of the water surface of the Hudson River have been mounted on aluminum and were joined in a flexible structure referencing the water’s movement. The bright-brushed aluminum on the back side of the sculpture mirrors the surrounding space.<img width="1433" height="955" width_o="1433" height_o="955" data-src="https://freight.cargo.site/t/original/i/7f250ff04349dbcc6cca7592f56b3b88df004005170ce30b02e867f857e4c6c8/Detail3_2503-Schwarz-Contemporary21086_photo__def_image.jpg" data-mid="228313354" border="0" src="https://freight.cargo.site/w/1000/i/7f250ff04349dbcc6cca7592f56b3b88df004005170ce30b02e867f857e4c6c8/Detail3_2503-Schwarz-Contemporary21086_photo__def_image.jpg" /> https://johannajaeger.de/portfolio Fri, 12 Oct 2018 12:43:32 +0000 Johanna Jaeger https://johannajaeger.de/portfolio Download portfolio https://johannajaeger.de/cv Fri, 12 Oct 2018 12:23:03 +0000 Johanna Jaeger https://johannajaeger.de/cv * 1985 in Heidelberg Education 2012 – 2014 MFA Hunter College New York2005 – 2011 University of the Arts Berlin 2004-2005 École Supérieure des Beaux Arts Montpellier Teaching since 2021 Part-time Faculty for Photography, Burg Giebichenstein University of Art and Design Halle 2013 – 2014 Teaching Assistant with Prof. Jeffrey Mongrain,&nbsp;Hunter College New York 2006 – 2010 Interflugs Tutor, University of the Arts Berlin (UdK) Organizer of interflugs lecture series / artist talks with international guests&nbsp; interflugs.de/lecture-seriesInterflugs is a student run organisation that provides content for students by students since the 1980’s. It is funded by the school and remunerated like a professoral post. Solo Exhibitions2026 liquid_liquid/liquid_solid, KunstraumKunze, Gifhorn 2025liquid_liquid/liquid_solid, Schwarz Contemporary Berlin c/o Ria https://www.schwarz-contemporary.com/exhibitions/upcoming/johanna-jaeger-schwarz-contemporary-co-ria-torstrasse-170-10115-berlin 2023 SHIFT, Schwarz Contemporary Berlin https://www.schwarz-contemporary.com/exhibitions/past/johanna-jaeger-shift 2021/2022 clouds &amp; pebbles, Drawing Room Hamburg&nbsp; http://www.drawingroom-hamburg.com/index_en.html 2020 repeating accidents, Schwarz Contemporary Berlin&nbsp; https://www.schwarz-contemporary.com/exhibitions/past/johanna-jaeger-repeating-accidents 2019 camera commentary, Technische Sammlungen Dresden tsd.de/de/mm/sonderausstellungen/reader/title/johanna_jaeger 2018 checkerboard sky, Schwarz Contemporary Berlinschwarz-contemporary.com/exhibitions/past/johanna-jaeger-checkerboard-sky 2017 Black Sun, Playground Londonhttps://playgroundlondon.co.uk/Black-sun-copy ART Rotterdam with Schwarz Contemporary Berlin 2016 Infinite release, Schwarz Contemporary Berlinhttp://schwarz-contemporary.com/exhibitions/past/johanna-jaeger-infinite-release Horizontal questions, circular replies, Galeria Starter, Warsaw 2015 Tilt &amp; Swing, Grand Palais Bern http://grandpalais.ch 2014 A spatial narrative, Plattenpalast Berlin plattenpalast.de Fictional Space, Schwarz Contemporary Berlin http://www.schwarz-contemporary.com/exhibitions/past/johanna-jaeger-fictional-space Art Jam VI, Platform, Brooklyn NY (with composer Adam Cuthbért) 2011 Old comrade, are you in the other room?, guided tours Berlin (with James Bews) toennchentours.blogspot.de I see myself, Galerie P13, Heidelberg (with Andrej Pirrwitz) White garden, Dixiland Weekend, Gallery-Weekend, Berlin Group Exhibitions 2026Stiftungspreis Fotokunst, Kunstwerk | Sammlung Klein, Eberdingen-Nussdorf 2025Liquid Landscapes, LOBEART Lobe Block, Berlin 2023 The Word Camera Means Room, Hunter College 205 Hudson Gallery, New York 2022/2023 Sunset. Ein Hoch auf die sinkende Sonne, Kunsthalle Bremen https://www.kunsthalle-bremen.de/de/view/exhibitions/exb-page/sunset 2022 Au delà, lokal_30 Warsaw http://lokal30.pl/wystawy-wkrotce/ Au delà, Schwarz Contemporary Berlin https://www.schwarz-contemporary.com/exhibitions/upcoming/au-dela-collaboration-lokal-30-karolina-bregula-o-justyna-gorowska-o-johanna-jaeger-o-zuzanna-janin-o-natalia-ll-o-jan-mozdzyns Eloa Unique lights &amp; Johanna Jaeger, Studio 4 Berlin www.studio4berlin.com/ 2019 undeterminants, Kleine Humboldt Galerie Berlin at Strahlensaal Charité http://www.kleinehumboldtgalerie.de/events/undeterminants/ Lady’s Club&nbsp;A Room for One’s Own, Rockelmann &amp; Partner Berlin https://www.rockelmann-partner.com/exhibitions/bln-jul-01-aug-04-ladys-club-a-room-for-ones-own bed manners, Daily Lazy and Frontviews at Kunstpunkt Berlin https://www.frontviews.de/exhibition.php?exhibition_id=65 Thoughts on tactility, Schwarz Contemporary Berlin schwarz-contemporary.com/exhibitions/past/katinka-bock-johanna-jaeger-kathrin-koster-edith-kollath-helena-petersen-kathrin-sonntag-jenna-westra-thoughts-tactility Neuköllner Kunstpreis, Galerie im Saalbau Berlin 2018underSTOOD, Rockelmann &amp; Partner Berlin rockelmann-partner.com/exhibitions/understood Quando scoppia la pace, Palazzo Todesco Vittorrio Veneto Sieben Ausstellungen | Seven Exhibitions, Brandenburgischer Kunstverein Potsdambkv-potsdam.de/sieben-ausstellungen »Muster Raum« Façade – Face – Fake – Fakt, Friedrich Schinkel Bauakademie Berlinfrontviews.de/exhibition.php?exhibition_id=56 Transparency, BWA Wroclawhttps://bwa.wroc.pl/?tf_events=transparency&amp;lang=en 2017 Standard International #4 Spatial Clearings, GLINT Berlinhttp://www.standard-international.de/ Subvers, frontviews temporary at LageEgal, Berlinhttp://frontviews.de/exhibitions.php Das zweite Auge, Städtisches Museum Braunschweig Andere Situation, Museum für Photographie Braunschweighttp://www.photomuseum.de/juergen-becker-new-york-1972/andere-situation-romina-abate-frank-doelling-johanna-jaeger-mickael-marchand/ 2016 Johanna Jaeger, Agata Madejska, Kunstraum Seilerstraße, Hamburg 2015 Hans-Purrmann-Förderpreis, Kulturhof Flachsgasse/ Kunstverein Speyer 2014Hunter MFA Thesis Show, 205 Hudson Gallery, New York 2013 Die Welt von oben – Die Vogelperspektive in der Kunst, Zeppelinmuseum Friedrichshafen http://www.zeppelin-museum.de/de/ausstellungen Group Show, Schwarz Contemporary, Berlin http://schwarz-contemporary.com/exhibitions/past/hannah-gieseler-monika-goetz-jahanna-jaeger-elisa-sighicelli-group-exhibition *Update, Schwules Museum, Berlin schwulesmuseum.de/ausstellungenNADA New York with Schwarz Contemporary Berlin auch heute, Kunstsaele Berlin&nbsp; kunstsaele.de/auch-heute 2012 Everyday Formalism, Deutsches Haus at NYU, New York Kelly's Eye Club, Orgy Park, Brooklyn NYorgypark.com/kellyseyeclub/kellyseyeclub.html Could be, Plattenpalast, Berlin&nbsp; plattenpalast.de Salon Juchmann, Modehaus Specht, Arnsberg&nbsp; salon-juchmann.deLange_Weile-Annäherung an eine Ungeliebte, Forum Factory, Berlin LxBxHxMensch, Kulturpalast Wedding, Berlin 2011 Presence in Layers, Sophiensaele, Berlin sophiensaele.comKunstakademie Berlin, project 8, 8 tallet, Copenhagen Heitland-Foundation Art Award, Schloss Celle February 4th, Forum Factory, Berlin Die erste Schau, guided tours, Berlin 2010 Lieblingswerke, Heidelberger Kunstverein, Heidelberg Long Time No See, Tape Modern, Berlin Zwischen Zwei Investoren, former Tagesspiegelbuilding, Berlin 2009 Arts Actuals Forum, Strasbourg Wiesbadener Fototage, Galerie im Ministerium für Wissenschaft und Kunst, Wiesbaden Frühaufsteher, Galerie Koal, Berlin galeriekoal.comThe first Roaming Tehran Biennal, London, Berlin,Teheran 2008Visions, Activism, Idealism, flat 1 / 2, Glasgow 2007 Madman‘s Project, Leuven Air de Berlin, Galerie Aperto, Prague Kleine Raumverschiebung, Berlin Awards / Scholarships / Residencies2024 Project Grant Kunstiftung Kunze 2020 Arbeitsstipendium Stiftung Kunstfonds2018 Stipendium für Fotografie, Stiftung Kunst &amp; Kultur Dresden2018 Karl Schmidt-Rottluff Stipendium (shortlist)2015 Special Recognition, C12 Emerging Artists Award, New York2015 Hans-Purrmann Förderpreis (shortlist)2014 Work grant Künstler zu Gast in Harburg, Hamburg, Germany2014 Gastatelier Burgdorf, Switzerland2014 Atelierförderung (studio grant) BBK Berlin2012 DAAD grant, New York2011 Heitland-Foundation Art Award 2010 NICA - Stipend (Surikow-Institut Moscow)2008 Fulbright Grant (Hunter College New York) Curatorial Projects 2019Organisation of the exhibition Thoughts on Tactility (with Anne Schwarz) schwarz-contemporary.com/exhibitions/past/katinka-bock-johanna-jaeger-kathrin-koster-edith-kollath-helena-petersen-kathrin-sonntag-jenna-westra-thoughts-tactility 2017 - 2018 Organisation of the seasonal project series fourseasonsberlin (with James Bews)fourseasons.berlin 2013 – 2014 Research fellow, the Artist's Institute New Yorktheartistsinstitute.org 2011 Organisation of the exhibition series guided tours (with James Bews ) toennchentours.blogspot.com 2006 – 2010 Organisation of interflugs lecture series / artist talks with international guests&nbsp; interflugs.de/lecture-series https://johannajaeger.de/text Fri, 12 Oct 2018 12:37:38 +0000 Johanna Jaeger https://johannajaeger.de/text 2 / 2022 Kunstforum (Band 280) https://www.kunstforum.de/artikel/johanna-jaeger-clouds-pebbles/ 9 / 2020 exhibition text by Maren Lübbke-Tidow https://www.schwarz-contemporary.com/application/files/1315/9914/4049/Jaeger_Presse_DEUTSCH.pdf https://www.schwarz-contemporary.com/application/files/5815/9914/4055/Jaeger_Presse_ENG_2020.pdf 12 / 2018 Camera Austria International 144|2018 https://camera-austria.at/en/zeitschrift/144-2018/ 6 / 2018 Artforum Internationalhttps://www.artforum.com/print/reviews/201806/johanna-jaeger-75596 4 / 2018 TAZ 19. April 2018 / TazplanTazplan / Pdf 3 / 2018 exhibition text by Ferial Nadja Karrasch https://www.schwarz-contemporary.com/application/files/4015/2112/4920/Pressetext_JJ_dt_FINAL.pdf https://www.schwarz-contemporary.com/application/files/8715/2112/4954/Pressetext_JJ_engl_FINAL.pdf 4 / 2017 Tagesspiegel Nr. 23 074 / Mehr BerlinMehr Berlin - Pdfder-tagesspiegel/20170401/282144996187685 11 / 2016 Le Monde diplomatique N°752, Parishttps://www.monde-diplomatique.fr/2016/11/LAMBERT/56790 9 / 2016 Camera Austria Nr. 135 - Forumhttp://camera-austria.at/zeitschrift/135-2016/?lang=en 4 / 2016 Magenta Mag - interviewwww.magentamag.com/post/142170315520/horizontal-questions-circular-replies 9 / 2014 Hamburger Abendblatthttp://www.abendblatt.de/hamburg/harburg/article133994463/Auf-dem-Harburger-Kulturtag-Kleine-Objekte-ganz-gross-fotografiert.html 8 / 2014 D'region, Switzerlandhttp://www.dregion.ch/2014/08/gast-kultur-der-fabrik-burgdorf.html&nbsp; 7 / 2014 Interview with One Place One Art, english and frenchcargocollective.com/oneplaceoneart/Johanna-Jaeger&nbsp; 7 / 2013 Mousse Magazinehttp://moussemagazine.it/group-show-schwarz/&nbsp; 6 / 2013 Tagesspiegel Berlinhttp://www.tagesspiegel.de/kultur/kunst-stuecke-schwarze-lichter/8422296.html&nbsp; 12 / 2011 Glut 01- digitales Kunstmagazinhttp://www.glut-magazin.de/html/download.html&nbsp; 7 / 2011 artnet.comhttp://www.artnet.de/magazine/rundgang-udk-und-berlinweissensee/images/1/ Email conversation between Agata Madejska and Johanna Jaeger, 2016 English Frank Thorsten Moll, Katalog zur Ausstellung "Die Welt von Oben", Zeppelinmuseum, Friedrichshafen, 2013 Stephanie Bunk, Versuchsanordnungen, 2012 Birte Kleine-Benne, Letter To Johanna, 2011 Birte Kleine-Benne, Letter To Johanna, 2011 (english) https://johannajaeger.de/contact Thu, 18 Oct 2018 23:00:54 +0000 Johanna Jaeger https://johannajaeger.de/contact Contact SCHWARZ CONTEMPORARY / Anne Schwarz mail(at)schwarz-contemporary.com JOHANNA JAEGER fourseasonsberlin(at)gmail.com all rights reserved: Johanna Jaeger 2026